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Revisiting trans doc A Change of Sex 40 years on


A Change of Sex will be available on BBC iPlayer from 3 June.
Among the many storylines that intersect in Adam Curtis’s recent epic documentary series Can’t Get You out of My Head, one in particular may have caught your attention.
In the fourth chapter, But What If the People Are Stupid?, we are introduced to Julia Grant, a trans woman navigating the medical and bureaucratic hurdles of 1980s Britain. Curtis introduces Grant as a symbol of the rise of individualism, an argument he illustrates through scenes depicting Grant sitting opposite her psychiatrist, an unseen paternalistic force.
“Maybe you identify with certain stereotypes… but that doesn’t make you a woman,” the doctor insists, withholding the surgery that Grant desperately wants. “It’s a medical matter, it isn’t a personal choice.” ....

United Kingdom , Jan Morris , Mark Kermode , Christine Burns , Paris Lees , Juno Dawson , Julia Grant , Adam Curtis , Jack Nicholson , Helen Belcher , David Pearson , Weekly Film Bulletin , Cant Get You , People Are , Inside Story , Julia Gets Her Man , Trans Britain , Trans Media Watch , Transsexual Summer , Sex Change Clinic , Sound June , Prano Bailey , Kelly Reichardt , First Cow , Suzanne Lindon , Spring Blossom ,

Sight & Sound: the June 2021 issue


Sight & Sound: the June 2021 issue
Mark Kermode and Prano Bailey–Bond talk Censor and the 80s British censorship massacre. Read if you dare!
Plus the history of ‘video nasties’, Kelly Reichardt on First Cow, Suzanne Lindon’s Spring Blossom, the sprawling brilliance of Robert Altman’s Nashville, and vintage Jack Nicholson.
10 May 2021
Sight & Sound June 2021 issue
It’s the issue they didn’t want you to read! Sight & Sound avoids the censor’s scissors, but can’t resist the sinster draw of Prano Bailey–Bond’s wicked yet darkly beautiful Censor.
Mark Kermode joins Bailey–Bond in discussing the 1980s tabloid frenzy surrounding so-called ‘video nasties’ – unrated VHS horror releases that snuck past the beady-eyed BBFC – and her debut feature ....

United States , United Kingdom , Mary Whitehouse , John Russell Taylor , Noah Baumbach , Suzanne Lindon , Ousmane Semb , James Mottram , Peter Lang , Umberto Lenzi Hollywood , Robert Altman , Francis Lee , Aleem Khan , Ryan Gilbey , Mark Romanek , Bertrand Tavernier , Edward White Norton , Ken Loach , Kim Newman , Mark Jenkin , Alexanda Heller Nicholas , Matthew Barney , Alfred Hitchcock , Monte Hellman , Alexandra Heller Nicholas , Thandiwe Newton ,

Sight & Sound June 2021

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United States , United Kingdom , Lawrence Napper , Mary Whitehouse , John Russell Taylor , Henry Glassie , Noah Baumbach , Suzanne Lindon , Ousmane Semb , Rachel Pronger , Peter Lang , James Mottram , David Thompson , Nick Bradshaw , Francis Lee , Robert Altman , Aleem Khan , Ryan Gilbey , Paul Tickell , Mark Romanek , Bertrand Tavernier , Ben Nicholson , Edward White Norton , Jeanie Finlay , Ken Loach , Alisa Mullen ,

The Curve and the first wave of pandemic documentaries


There’s no handbook for making a feature documentary in just seven months during a global pandemic. No reference guide. No field manual. Just the typical headaches of movie-making, with a whole bunch of new headaches added for good measure. Throw in the fact that the subject of the film would be the pandemic itself, and take away any institutional funding or support, and things veer into migraine territory pretty damn quickly.
Adam Benzine
© Photo by Alison Boulier
In the spring of 2020, I began work on The Curve, driven by a feeling that America’s handling of the coronavirus crisis needed to be documented in real time. It was apparent, even back then, that we were witnessing a landmark catastrophe which would likely produce hundreds of films for decades to come. ....

New York , United States , Lee Isaac Chung , Ophelia Harutyunyan , Los Angeles , Chao Wu , Alex Gibney , Weixi Chen , Alison Boulier , Studio Ghibli , Totally Under Control , Covid Space Odyssey , Adam Curtis , Cant Get You , Suzanne Hillinger , Under Control , Weekly Film Bulletin , புதியது யார்க் , ஒன்றுபட்டது மாநிலங்களில் , லீ ஐஸ்யாக் சுங் , லாஸ் ஏஞ்சல்ஸ் , ஹ்ம் வு , அலெக்ஸ் கிப்னி , ஸ்டுடியோ கீபிளி , முற்றிலும் கீழ் கட்டுப்பாடு , பண்படாமனித இயல்பு கர்டிஸ் ,

Documenting conspiracy in the age of misinformation


It is an enduring dilemma in art: the question of whether the real world, in all its complexity, is better understood through reportage or fiction, or through hybrids of the two. The question particularly exercises documentarists now, when the political reality of the globalised world is increasingly complex and elusive, not least due to the relentless online traffic of truths, lies and indeterminacies.
Perhaps for those very reasons, we increasingly demand some leavening element of entertainment to help smooth our path toward understanding. As ‘true crime’ series flourish on Netflix and elsewhere, even the most rigorous documentarists must ask themselves whether they should aspire to presenting truth in unembellished form, or whether it needs to be presented accessibly as something closer to ‘reality’ – using that word in the ‘reality show’ sense, in which actuality always comes to some degree fictionalised. ....

Kuala Lumpur , Saudi Arabia , North Korea , Saudi Arabian , North Korean , Lee Isaac Chung , Jamal Khashoggi , Siti Aisyah , Bryan Fogel , Owen Gleiberman , Doug Bock Clark , Kim Jong Nam , Paul Greengrass , Studio Ghibli , Adam Curtis , Cant Get You , Doan Thi Huong , Kim Jong Un , Don Thi Huong , குவாலா லம்பூர் , சவுதி அரேபியா , வடக்கு கொரியா , சவுதி அரேபியன் , வடக்கு கொரியன் , லீ ஐஸ்யாக் சுங் , பிரையன் போகேள் ,