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The Aldrich In Ridgefield Debuts Single-Artist Series


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April 8, 2021
In April 2021, The Aldrich Contemporary Art Museum will inaugurate Aldrich Projects, a single-artist series that spotlights a singular work or a focused body of work by an artist every four months on the Museum s campus. The first in this series is Clarity Haynes: Collective Transmission. Sited in the Leir Atrium, Haynes debuts two new paintings, Birth Altar, 2020–2021 (2021) and Altar for Femme Joy (2020), from her ongoing Altar series, 2000 . Haynes describes her Altars as queer feminist spaces liberated from patriarchy. She says: In a time of toxic masculinity and violence, to put forth joyful feminist principles feels radical. To create one s own archive, altar, cosmology, autonomous space is an act of taking care. Clarity Haynes: Collective Transmission will be on view at The Aldrich April 28 to September 6, 2021. ....

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Richard Saltoun Gallery extends Women 2.1 virtual series of exhibitions spotlighting female artists


Richard Saltoun Gallery extends Women 2.1 virtual series of exhibitions spotlighting female artists
Zöe Williams (1983 - ),High Salmon piss pot heel, 2019. Hand glazed ceramic with gold lustre, rabbit furs, 10.5 × 8 × 20 cm. Courtesy Ciaccia Levi, Paris.
LONDON
.- Part of Richard Saltoun Gallery’s extended Women 2.1 virtual series of exhibitions spotlighting female artists outside the gallery roster, this two-part online presentation explores the work of leading female artists and ceramicists. Part 1 presents work by Lynda Benglis, Zoe Williams, Jacqueline Poncelet.
The rise of feminist art theory and the recognition of widespread gender discrimination in the arts over the past 50 years has significantly focused on textile and fibre sculpture as a key media, with Roszika Parker’s seminal 1984 publication The Subversive Stitch giving a public voice to the field. Removing textile from the domestic sphere, it is now a respected and popular art form, yet cerami ....

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