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Melvin Van Peebles's Declaration of Independence


Melvin Van Peebles’s Declaration of Independence
Armond White
The final shot of Melvin Van Peebles’s 1968 debut film,
Story of a Three-Day Pass, celebrates FREEDOM. Turner (Harry Baird), a black GI stationed in France, had spent a weekend holiday with a white Frenchwoman, Miriam (Nicole Berger), enjoying all the imaginable pleasures a red-blooded American male could want. Now, after some minor social and personal roadblocks, the girl is gone as Smokey Robinson sang. Left in a familiar, conflicted, patriotic place, he flops onto his barracks cot with a sense of relief. The pressure is off, momentarily.
That freeze-frame image, reminiscent of Francois Truffaut’s French New Wave breakthrough ....

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The Film That Made 'Sweet Sweetback's Baadasssss Song' Possible


The Film That Made ‘Sweet Sweetback’s Baadasssss Song’ Possible
Melvin Van Peebles had to go to France to make “The Story of a Three Day Pass,” the tale of a Black soldier on leave that’s full of bold directorial choices.
Nicole Berger and Harry Baird in Melvin Van Peebles’s debut feature.Credit.Sigma III Corporation
By Nicolas Rapold
May 6, 2021
I don’t think anyone who sees the title “Sweet Sweetback’s Baadasssss Song” forgets it. The eye-popping film made Melvin Van Peebles a pioneer of 1970s American cinema and pure independent hustle. But a few years earlier, Van Peebles directed his first trailblazer in France: “The Story of a Three Day Pass,” his feature debut, which was released commercially in 1968 and is opening at Film Forum on Friday in a new restoration. ....

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The Story of a Three-Day Pass Is Also the Story of a Failed Black Escape


The Story of a Three-Day Pass Is Also the Story of a Failed Black Escape
Vulture.com
2 days ago
“WE WUZ ROBBED (AGAIN!)” is how Spike Lee marketed a set of limited-edition
Da 5 Bloods posters after Delroy Lindo failed to garner a Best Actor Oscar nomination for his role in the movie. From snubs for Michaela Coel’s exceptional
I May Destroy You at the Golden Globes to Garrett Bradley’s exquisite
Time at the Academy Awards, this year was a predictable repeat of Black filmmakers and performers going unrecognized by Hollywood’s institutional accolades. While
Da 5 Bloods was vastly praised by critics and audiences, its singular Oscar appearance, a nomination and not a win, was for Best Original Score. Apart from the geographic shift to Vietnam, the movie’s narrative about Black veterans plays to Lee’s usual, and well-loved, thematic and stylistic habits, among them the double-dolly shot, in which both actor and camera are placed on dollie ....

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