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5 Minutes That Will Make You Love Brahms


5 Minutes That Will Make You Love Brahms
Listen as Carlos Santana, Branford Marsalis and others pick their favorites of the moody master of 19th-century music.
Credit.Angie Wang
April 7, 2021, 5:00 a.m. ET
Now we want to convince those curious friends to love the music of Johannes Brahms (1833-97), master of stirring symphonic exclamations and moody piano solos. We hope you find lots here to discover and enjoy; leave your favorites in the comments.
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Isata Kanneh-Mason, pianist
The beginning of Brahms’s Piano Concerto No. 1 is one of my favorite concerto openings. It’s got drama, intensity and emotion and that’s before the piano even joins! The soloist doesn’t come in for almost four minutes while the orchestra has a long, thrilling introduction illustrating the themes of the movement. Brahms uses the full orchestra, with a lot of grandeur, so the entrance of the piano is always a beautiful surprise, coming in very lyrical and soft. ....

South Africa , Tania Le , Hyeyung Sol Yoon , Carnegie Hall , Michael Tree , Branford Marsalis , Zachary Woolfe , Wilhelm Kempff , Bongani Ndodana Breen , Iman Habibi , Artur Rubinstein , Jeff Scott , Dave Matthews , Clara Schumann , Barbara Hendricks , Joshua Barone , Valerie Coleman , Carlos Santana , Wilhelm Furtw , Janine Jansen , Rudolf Serkin , Anthony Tommasini , Simon Halsey , Peter Pesic , David Allen , Manhattan School Of Music ,

MusicalAmerica - New Artist of the Month: Tenor Miles Mykkanen


April 1, 2021 | By Clive Paget,
Musical America
It looked set to be a gala
year for Miles Mykkanen. The 29-year-old tenor made his Metropolitan Opera debut as Second Apprentice in the company’s new production of
Wozzeck, but when the run ended on January 22, 2020, lockdown was less than two months away.
I’d seen him twice previously, as a fabulously funny Flute in Robert Carson’s
A Midsummer Night’s Dream at Opera Philadelphia in 2019 and singing Jonathan Dove’s
The End at the Marlboro Festival, the last of three summers he spent in Vermont making music with the likes of Mitsuko Uchida and Jonathan Biss. His clear, penetrating, lyric tenor comes with a winning stage presence, great comic timing, and a real way with words. Mykkanen’s is the kind of voice, you sense, that could develop in all sorts of interesting directions. Like a Wunderlich or a Gedda, he should flourish across a range of repertoire. ....

New York , United States , Saudi Arabia , Mitsuko Uchida , Leonard Slatkin , Jonathan Dove , Brian Zeger , Kunz Vogelgesang , Manfred Honeck , Bayerische Staatsoper , Boris Godunov , Ricky Ian Gordon , Leon Botstein , Cynthia Hoffmann , Jonathan Biss , Robert Carson , Chamber Music Society Of Lincoln Center , Opera National Council Auditions , Interlochen Arts Academy , Metropolitan Opera , Second Apprentice , Midsummer Night , Opera Philadelphia , Marlboro Festival , Matthew Passion , Artist Diploma ,