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The Vanished Glamour of Midcentury Print Media Great examples of photography and editorial design abound at the Jewish Museum. (Catch the catalog, too.) The Vogue cover of March 15, 1945, features a blurred model behind a frosted glass panel emblazoned with a red cross, photographed by Erwin Blumenfeld and art-directed by Alexander Liberman. It is “scary and sad to think that no mainstream fashion title would now publish a cover this bold,” our critic says.Credit.Erwin Blumenfeld, via Condé Nast April 29, 2021 In a city whose news kiosks have become glorified chewing gum emporiums, where the Grand Central newsstand shelves are overtaken by chips and phone chargers, one of my few remaining happy places is Casa Magazines. It’s a hole of a shop on the corner of Eighth Avenue and 12th Street, and every wall and every inch of floor heaves with obscure, international fashion and design publications, for a dwindling class of print lovers. (I still remember, when I ....
Editors' Picks: 11 Events for Your Art Calendar This Week, From a Celebration of Maurice Berger to a Talk With Wade Guyton artnet.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from artnet.com Daily Mail and Mail on Sunday newspapers.
When artist and art historian David Driskell brought his groundbreaking "Two Centuries of Black American Art: 1750-1950" exhibition to a series of museums in 1976 and 1977, some people thought ....
Print When artist and art historian David Driskell brought his groundbreaking “Two Centuries of Black American Art: 1750-1950 exhibition to a series of museums in 1976 and 1977, some people thought that more than 200 works by 63 artists (and some anonymous crafts workers) was too much of a good thing. Driskell did not agree. “I was not looking for a unified theme,” Driskell told The New York Times in a 1977 interview. “And this, of course, usually upsets the critics because they want to see a continuous kind of thing.” When you are trying to right the exclusionary wrongs of history, less is never going to be more. That was true for Driskell, and it is true for “Black Art: In the Absence of Light,” a new HBO documentary that uses Driskell and his landmark exhibition as a jumping-off point for a wide-ranging, densely populated look at the past, present and future of Black art and artists in America. ....