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Malayalam Star Fahadh Faasil s Take On The Evolution Of Indian Cinema

Malayalam Star Fahadh Faasil’s Take On The Evolution Of Indian Cinema Cinema is no longer stuck at one particular place. The writers have started exploring regional films more, says popular Malayalam actor Fahadh Faasil 14 July 2021 Lachmi Deb Roy July 14, 2021 00:00 IST Malayalam Star Fahadh Faasil’s Take On The Evolution Of Indian Cinema outlookindia.com 2021-07-16T15:19:03+05:30 Malayalam actor Fahadh Faasil considers himself fortunate to belong to a timeline when regional films are crossing boundaries, charting new territories. He tells Lachmi Deb Roy about his latest movie, Malik , what it takes to prepare for a role and how he has been an integral part of Malayalam movies over the past ten years.

Fahadh Faasil: The Crusaders of the New Wave of Indian Malayalam Films | Art Culture News

Fahadh Faasil: The Crusaders of the New Wave of Indian Malayalam Films | Art Culture News
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Kilometers and Kilometers movie review: Tovino Thomas darlingness shields The Great Indian Kitchen s director on a half-day

In a conversation I had with him this week, writer-director Jeo Baby said that his film The Great Indian Kitchen, which has been making waves across India this fortnight, was rejected by Netflix and Amazon Prime Video without any reason being offered – this is why it is on the currently little-known, new Malayalam-only streaming platform, Neestream.  This immediately brought to mind an unnamed filmmaker who told The Hindu’s Athira M earlier this month that the reason why a bunch of new Malayalam-focused OTT platforms have come up during the pandemic is that “big stars and big banners have become the criteria for some of these (multi-language platforms) to purchase a Malayalam movie”. Such yardsticks for selection will deprive non-Malayalam speakers of the best of Mollywood because they entirely miss the point of the Malayalam New New Wave, which is that it is determinedly not star-driven. For proof, note how Jeo Baby’s

Fahadh Faasil 2 0, Women In Cinema Collective and other markers of the decade gone by for Mollywood

The Exhibits and the Eyewitness, 2017).  Fahadh has acquired a reputation for often giving up being a film’s hero in favour of a supporting role that appeals to him and lending an X Factor to that role. His confident choices ultimately led to India-wide accolades for  C U  Soon (2020) that marked a new frontier for Indian cinema at large with its exploration of the desktop genre tailored to fit the constraints imposed on filmmakers by the COVID19 lockdown.  Fahadh 2.0 is at the forefront of the Malayalam New New Wave and has gradually grown to be considered one of India’s finest actors by pan-India cinephiles too. 

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