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Sight & Sound: the Summer 2021 issue

100 hidden heroes of film history. Plus Ben Wheatley on In the Earth, Emma Seligman’s Shiva Baby, Victor Kossakovsky’s Gunda, Jane Fonda, Limbo and refugees on film.

Jerome Hellman, producer of Midnight Cowboy, Coming Home, dies at 92

Jerome Hellman, producer of Midnight Cowboy, Coming Home, dies at 92
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Jerome Hellman, producer of Midnight Cowboy, Coming Home and other films, dies at 92

The Making of Midnight Cowboy, and the Remaking of Hollywood

In December, 1963, Life published a special issue on “The Movies.” The United States, the magazine asserted, had fallen behind the rest of the world. Hollywood was too timid, too worried about the national “image.” Meanwhile, Swedish, Japanese, Italian, and French filmmakers were making movies that people talked about. “While the whole film world has been buzzing with new excitement,” the magazine concluded, “Hollywood has felt like Charlie Chaplin standing outside the millionaire’s door—wistful and forsaken.” Exactly four years later, which, in feature-film production time, is virtually overnight, Time, the sister publication of Life, ran a cover story on “The New Cinema.” “The most important fact about the screen in 1967,” it announced, “is that Hollywood has at long last become part of what the French film journal

How Jon Voight Got His Big Break in Midnight Cowboy (Guest Blog)

How Jon Voight Landed His Big Break in ‘Midnight Cowboy’ (Guest Blog) Voight wasn’t the first choice to play the role of a male hustler opposite Dustin Hoffman, recounts writer Glenn Frankel Glenn Frankel Guest Writer Last Updated: March 15, 2021 @ 2:58 PM Photo: Getty Images Aspiring young actors in New York in the 1960s came in many shapes and psyches. There were angry ones and cynical ones and sincere ones and intense ones. But there weren’t many joyful ones. The road was too hard and it was strewn with failure. “No one starts at the top in the theater,” Gene Hackman once said, “and the bottom is a very ugly place.”

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