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Best new music: Mandy Rowden, Greta Gaines, and The Stan Laurels mcall.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from mcall.com Daily Mail and Mail on Sunday newspapers.
Share This Program Eclectics is a (variety) music showcase. This will be the first place you will hear many local artists, as well as national and international musicians, such as Sheryl Crow, Brollywacker, Shona Laing, David Hakan, Nick Lowe, The Rainmakers, Jen Raz, Mike Cross, David Lindley, Nellie McKay, The Samples, Dana Lyons. Rebecca could give you even more, but she won’t. Eclectics goes all over the place, wacky, weird, scary, silly and even controversial. After all – this is KKFI – you (the listener) is who we do this for. Recent Episodes ....
Austin360 On The Record: Balmorhea, Living Pins, Chris Conde austin360.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from austin360.com Daily Mail and Mail on Sunday newspapers.
Austin360 On The Record: Israel Nash, Leti Garza, singles spotlight statesman.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from statesman.com Daily Mail and Mail on Sunday newspapers.
Austin 360 Austin360 On The Record is a weekly roundup of new, recent and upcoming releases by local and Austin-associated recording artists. NEW RELEASES Graham Wilkinson, “Cuts So Deep.” The indie singer-songwriter’s first release since 2016’s “Because of You” features 11 songs he wrote across several years and recorded with engineer Patrick Herzfeld at Austin-area studio Signal Hill Recording. Herzfeld also contributed drums, keys, guitar, bass and backing vocals, with other participants in the sessions including guitarist Matt Gracy, bassist Morgan Patrick Thompson and the Shinyribs Tijuana Trainwreck horn section of Tiger Anaya (trumpet) and Mark Wilson (sax, flute). “Cuts So Deep” highlights Wilkinson’s songwriting talents with mostly folk-rock-based arrangements centered around his conversational vocal style. It’s not clear whether the title track was written before or during the pandemic, but its chorus “I miss seeing your smile ....