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Rita Wilson Reflects on Contracting COVID-19 One Year Ago in Heartfelt Instagram Post Ellise Shafer, provided by FacebookTwitterEmail Rita Wilson marked the one-year anniversary of her and husband Tom Hanks’ COVID-19 diagnoses with a reflective Instagram post. “One year ago today I was playing the Sydney Opera House @sydneyoperahouse, the next day started feeling very tired and achy, two days later hospitalized with Covid 19,” Wilson wrote. “I want to take a moment to say how grateful we are for our health, how thankful we are for the medical care we got in Queensland, and that we share in the sorrow of each person who lost a loved one to this virus. I’m hopeful for so many being able to get the vaccine.” ....
Paul Greengrass on His Tom Hanks Western and the Road to Healing Tim Gray, provided by FacebookTwitterEmail Film history is filled with notable directors who made a Western after establishing themselves in other genres. That list includes Robert Altman (“McCabe and Mrs. Miller”), Charlie Chaplin (“The Gold Rush”), Ethan and Joel Coen (“True Grit”), John Huston (“The Unforgiven” 1960), Louis Malle (“Viva Maria”), Alejandro G. Inarritu (“The Revenant”), Sydney Pollack (“Jeremiah Johnson”) and Sam Raimi (“The Quick and the Dead”). Joining that lofty roster is Paul Greengrass, with Universal’s “News of the World,” starring Tom Hanks and Helena Zengel. This horse opera, as ....
Creating VFX Waves for Tom Hanks Battle at Sea in Greyhound Jazz Tangcay, provided by FacebookTwitterEmail An unrelenting cold Atlantic Ocean, huge waves and overcast weather were the elements for the Tom Hanks drama “Greyhound.” While much of the film was built on soundstages in Louisiana and on the decommissioned USS Kidd, visual effects came into play for the film’s main battle sequence. Hanks plays Commander Krause, the officer who has to defend his ship and its convoy of vessels as it comes under attack from U-boats in the Battle of the Atlantic. “This shot perfectly encompasses everything we were trying to achieve in the recreation of the North Atlantic for “Greyhound,” say DNEG visual-effects supervisors Nathan McGuinness and Pete Bebb. “The first challenge was to determine the look of the ocean this is essentially another character in the narrative that had to be developed. The ocean is determined by weather so capturing the correct ....