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Wednesday, July 14, 2021 MOTHERLOAD, a crowdsourced documentary, will be screened Friday night as a part of Keep San Marcos Beautiful and Sustainable San Marcos’ Sustainable Summer Film Series. The documentary showcases a mother’s quest to understand and promote the cargo bicycle in a gas-powered, digital world. Beginning at 7 p.m., Move SM and Texas State Stelos Scholars Program will be at Friday’s screening where they’ll have interactive booths related to sustainable transportation. The film will begin at 8:30 p.m. at San Marcos Plaza Park 401 E. Hopkins St. “This event is an exciting opportunity for the university’s brightest students to collaborate in a meaningful way with the city, community organizations, and the broader public,” Associate Dean of the Texas State Honors College Peter Tschirhart said. ....
During the pandemic, it’s been easy to miss dessert. As restaurants streamlined their menus for takeout and delivery, even those that previously took pride in sweet dessert menus pared them down to one sad budino that would travel well in a deli container the loneliest pudding cup, as it were. Don’t get me wrong, this writer ate many of them, while sitting cross-legged on the couch, and they certainly helped to soothe some of the despair out of lockdown. But now that San Francisco is one full month into full reopening, restaurants have been working hard to hire back staff and gradually expanding their menus. And respectfully, diners may have one small request: Could we see the full dessert menu, please? ....
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Star Tap by Emily Furr. Furr paints celestial visions that place cool, hard-edged objects within weightless, star-filled voids. Furr’s artwork plays with a codex of motifs, exploring their potential formations through a process of repetition. The artist’s serialized tropes take the shape of tongues laden with hallucinogenic sugar cubes, sloping conveyor belts adorned with astral points, rocket engines with acutely sharp, almost erotic edges, tubes, chains, and myriad metal hardware. Furr’s paintings can be positioned in relation to postmodern artists such as Lee Lozano (American, 1930–99) and Forrest Bess (American, 1911–77), whose depictions of archetypal shapes, colors, and quotidian objects… ....