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Planet Marathi on boards Arun Tyagi to drive investor relationships

Mumbai: Vistas Media Entertainment powered platform Planet Marathi OTT has brought on board Arun Tyagi to drive its investor relationships. In his new role, Tyagi will be nurturing investor relations and shaping new initiatives. An entertainment and media professional, Tyagi comes with more than 21 years of experience in media sales, marketing, planning, and buying, ....

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Global Online Event Ticketing Market – Increasing R&D Investments and Rising Research Activities to Favor the Market – KSU


richardMay 18, 2021
Global Online Event Ticketing Market Key Players, Business Approaches And Geographical Analysis Amid COVID-19 Pandemic
The report on “Online Event Ticketing Market published by Market Research Store Overview By Industry Top Manufactures, Trends, Industry Growth, Size, Analysis & Forecast Till 2028” the report come up with 150+ pages PDF with TOC including a list of figures and table. 
Report on the Global Online Event Ticketing Market is a cradle for all the market-related details right from the finances, regional development to the future market growth rate. It also touches upon the market valuation which comprises of the market size, revenue, and share in order to be acquainted with the current market position on both the regional and global platform. To shed more light on the market growth rate, the report offers information such as recent developments, achievements, obstacles, threats, and market driving factors. The Global Online Event Ti ....

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Nepal's documentary filmmakers have neither audience nor income, yet they pursue their passion – OnlineKhabar English News


Shashwat Pant
February 25, 2021
Comments
The only time people get to watch documentaries are either at private screening or film festivals like KIMFF.
Photo: Kimff
In 2019, a filmmaker approached a reputed TV channel in the country. Having spent two years documenting events on the border of Nepal and India post the economic blockade, he was sure some channel would buy his documentary as it showed the hardships people in the border area had to face. The TV channel agreed, but on one condition: the filmmaker had to buy airtime. But, that was something he was not willing to do.
“It was so disappointing. I faced the same thing with all the TV channels,” says the filmmaker who asked to remain anonymous.  “A few were willing to show it, but they were not going to pay me. That is when I realised how bad the ‘documentary scene’ in Nepal is. Sometimes I watch my colleagues and wonder if there is a scene at all.” ....

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