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I’m sorry I stabbed Vann Marsden in the eye. It’s terrible that his wife had to die in the aftermath. The fact that she was already ill and couldn’t take the strain doesn’t alter my sadness over her passing, but when a director takes all the movies you love and remakes them as stark, near silent catalogs of gestures, the critic has to respond. One of the key roles of the cinema, I’d like you to understand, is to turn the atomized individual into part of a crowd, even while the viewer remains alone in the dark. The couple who comes to the theater seeking an evening entertainment say they’ve eaten at the Mexican restaurant down the street, talking idly over the chips and guacamole, bundling up their leftovers and shoving the leaking containers into the back seat of the car now give up sitting across from each other and sit next to each other, separated by an armrest, gazing forward. The monadic he and she, or he and he, or she and she, or whatever vessel the individu ....
I’m sorry I stabbed Vann Marsden in the eye. It’s terrible that his wife had to die in the aftermath. The fact that she was already ill and couldn’t take the strain doesn’t alter my sadness over her passing, but when a director takes all the movies you love and remakes them as stark, near silent catalogs of gestures, the critic has to respond. One of the key roles of the cinema, I’d like you to understand, is to turn the atomized individual into part of a crowd, even while the viewer remains alone in the dark. The couple who comes to the theater seeking an evening entertainment say they’ve eaten at the Mexican restaurant down the street, talking idly over the chips and guacamole, bundling up their leftovers and shoving the leaking containers into the back seat of the car now give up sitting across from each other and sit next to each other, separated by an armrest, gazing forward. The monadic he and she, or he and he, or she and she, or whatever vessel the individu ....
An illuminating comparison of Ann Petry s The Street and Gwendolyn Brooks s Maud Martha with Cynthia Kadohata s The Floating World and Chang-rae Lee s Native Speaker by You-me Park and Gayle Wald ( Native Daughters in the Promised Land: Gender, Race, and the Question of Separate Spheres, AL 70: 607-33) establishes the extent to which minority literature represents the boundaries between public and private spheres in the United States and how these boundaries reinforce and overlap class and gender lines. The critics conclusion is that both the African American and Asian American groups are feminized (in the sense of being marked under the sign of the feminine). ....