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How Ceaux's Carnival poster series reflects the Black Mardi Gras experience


Multimedia artist Ceaux s 2021 Mardi Gras poster.
Every year since 2016, New Orleans-born-and-raised multimedia artist Courtney “Ceaux” Buckley, of Axiom Gallery on Freret Street, has been painting vibrant and detailed posters that depict the Black Mardi Gras experience.
Through this annual poster series, Buckley said, he not only aims to provide a representation of the Black experience during Carnival season, but that he also intends to normalize it.
“I don’t think we should always be presented like a big deal,” he said. “These things go on all the time, every year, it’s recurring.”
He adds that it is important for Black people from New Orleans to see representations of their culture in this more generalized way opposed to only packaged news stories and documentaries. ....

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Iconic pavilion at The Fly is without its sail-like canopy


Audubon Institute
“A Stage for Viewing” pavilion and sculpture, photographed in December 2020,  is a gathering place at The Fly.
 Who even calls the stretch of greenspace overlooking the Mississippi River “Audubon Riverview Park”? But that is its official name. The current pavilion in the park everyone refers to as “The Fly” has a history dating back more than 25 years. 
That structure, officially named “A Stage for Viewing,” was damaged in October’s Hurricane Zeta in October, and the process of replacing its shredded roof is still in play. 
It’s this structure’s predecessor that gave the stretch of land by the river its name. Few today can remember the original building that people thought resembled a butterfly. So the park gained the nickname “The Butterfly,” which was then shortened to “The Fly.”  The building, which housed concessions and restrooms, was actually supposed to resemble gull wings. ....

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