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Kevin Whitehead


de Volkskrant.
Play the Way You Feel: The Essential Guide to Jazz Stories on Film (2020),
Why Jazz: A Concise Guide (2010),
New Dutch Swing (1998), and (with photographer Ton Mijs)
Instant Composers Pool Orchestra: You Have to See It (2011).
His essays have appeared in numerous anthologies including
Da Capo Best Music Writing 2006,
Discover Jazz and
Traveling the Spaceways: Sun Ra, the Astro-Black and Other Solar Myths.
Whitehead has taught at Towson University, the University of Kansas and Goucher College. He lives near Baltimore. ....

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We Need To Be Able To Feel


Maria Schneider (center) whose album
Data Lords was one of 2020 s most acclaimed jazz albums, performs with her orchestra at the New York City club Jazz Standard, where the group had an 16-year annual Thanksgiving week performance that was interrupted by the Covid-19 pandemic.
Gulnara Khamatova
/ Courtesy of the artist
Originally published on January 15, 2021 11:29 am
I can think of no better summation of our shared experience over the last year than A World Lost, the title of the piece that opens Maria Schneider s
Data Lords. A slow, foreboding dirge in an oblong time signature, it instantly sets a tone of somber contemplation. Revisiting it now, as an overture to the most critically acclaimed jazz album of 2020, I hear a chronicle of pained nostalgia mindful of the unbearable losses of life and livelihood, and the more slippery deprivations of place and custom, that marked the past year. I also think of all the old rituals that knitted a const ....

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