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Oklahoma film notes: Cheryl Ladd, Darci Lynne Farmer starring in 'A Cowgirl's Song'

Also, Oklahoma City actress and filmmaker Cate Jones' directorial debut "She's the Eldest" won the top feature film from the Best of NewFilmmakers Los Angeles Awards. ....

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Sundance 2021: 'Wild Indian' • Salt Lake Magazine

Lyle Mitchell Corbine Jr.’s first feature,
Wild Indian, opens with a brief historical sequence, tracking the final days, maybe moments, in the life of an Ojibwe man, stricken with smallpox. He’s weak and disoriented. He’s a little sick, we’re told, wandering West, attempting to escape his imminent death from the infection he’s received from contact with white colonists, an influence signified by the disfiguring smallpox rash covering the man’s body. “We are the last,” he whispers to a woman he refers to as Mother. Or maybe he’s speaking to some larger entity, the land around him. ....

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'Wild Indian' Continues a Native Filmmaking Renaissance

Wild Indian Continues a Native Filmmaking Renaissance
Lyle Mitchell Corbine Jr. s first feature film is daring, dark, and dramatic while commenting on some tough subjects regarding the modern Native experience.
Sundance Institute
Wild Indian is a dark cinematic dance that explores the harsh effects of colonization that are still evident in modern Native communities. Resentment and self-loathing in regards to Native masculinity is explored in this well made dramatic thriller, but the authenticity brought to the story by writer and director
Lyle Mitchell Corbine Jr. make this narrative different.
The film begins in 1980s Wisconsin. Two Anishinaabe preteen cousins, Makwa and Ted-O ( ....

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Sundance highlight 'Wild Indian' is somber portrait of contemporary Native life

Grade: 4.5/5.0
The 2021 Sundance Film Festival’s lineup is chock-full of directorial debuts, such as Prano Bailey-Bond’s “Censor” and Robin Wright’s “Land.” “Wild Indian” is another such debut film, but viewers wouldn’t be faulted for assuming otherwise. Writer-director Lyle Mitchell Corbine Jr. displays an impressive, confident authorial voice in his first film a quality many grizzled filmmaking veterans still struggle to achieve.
Initially set in the 1980s, “Wild Indian” is the story of Makwa, who is first seen as a young boy growing up in an abusive home on a Wisconsin reservation. Enduring daily beatings from his alcoholic father and ineffectual preachings at his Catholic school, Makwa’s sole comfort is his friend Ted-O. When Makwa reaches a breaking point, however, a senseless act of violence changes both their lives forever. ....

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"Wild Indian" filmmaker on repression and how "traumatized people tend to perpetuate trauma"

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Writer/director Lyle Mitchell Corbine Jr. makes a distinctive feature debut with Wild Indian, a drama premiering at the Sundance Film Festival. The film opens with the text, Some time ago . . . There was an Ojibwe man, Who got a little sick and wandered West. After a brief episode featuring an Indigenous man, the story jumps to the 1980s. Mawka (Phoenix Wilson) and his cousin Ted-O (Julian Gopal) are teens in Wisconsin. Mawka has abusive parents and hangs out with Ted-O, because he cannot bear being at home. One day, an incident changes the boys lives forever.
Wild Indian then skips ahead to 2019, and California, where Mawka, now anglicized to Michael (Michael Greyeyes), is a successful businessman with a white wife, Greta (Kate Bosworth), and a new baby. Meanwhile, Ted-O (Chaske Spencer of Winter in the Blood ) is seen being released from prison. He heads to his sister Cammy s (Lisa Cromarty) and finds work as a dishwasher. However, it is Michael and Te ....

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