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Memphis: Plastic Field perfectly fits its surroundings at MK Gallery

5 February 2021
Pamela Buxton
Joy awaits at the end of lockdown with MK Gallery’s celebration of the Memphis postmodern design movement bursting with exuberant life
Gallery view of Memphis: Plastic Field, at MK Gallery, Milton Keynes. Credit: Rob Harris
Memphis is very much a Marmite design movement. Love it or loathe it, it’s impossible to remain unmoved by the colours, patterns and sheer joyfulness of this most 1980s of design groups, which offered a vibrant break from the functionalist approach of modernism.
What a shame then that a new survey of the work of Memphis at MK Gallery in Milton Keynes was only open briefly before closing due to Covid-19. While the gallery has plenty of material about the show available online, this is inevitably no substitution for what head of exhibitions Fay Blanchard describes as a ‘sensory overload’ of an exhibition. Hopefully, Memphis: Plastic Field will be able to re-open in the not-too-distant future. ....

Massimo Iosa Ghini , Javier Marischal , Fay Blanchard , Andrea Branzi , Ettore Sottsass , George Sowden , Peter Shire , Milton Keynes , Plastic Field , Michele De Lucchi , Massimo Iosa , ஃபே பிளான்சார்ட் , ஜார்ஜ் சோவ்தேன் , பீட்டர் ஶைர் , மில்டன் கீன்கள் , நெகிழி புலம் ,

Trashy, eclectic and collectible: Memphis and the joy of bad taste

Trashy, eclectic and collectible: Memphis and the joy of bad taste
Rowan Moore
Memphis was a firework. Launched with a bang in 1981, with a party in Milan with 2,500 guests, it glittered and popped until its fragments fell to earth in 1987. Which possibly was always the plan, if there had been a plan. Memphis never sought immortality, nor the establishment of eternal verities to rule design for ever. It was about life lived in the moment – to the extent that inanimate objects can communicate such a thing – about the freedom to create and make mistakes.
David Bowie, an avid collector of the design collective’s work, spoke of “the jolt, the impact, created by walking into a room containing a cabinet by Memphis”. Its effect was, as he said, “visceral”, at least when it started. But its ice-cream colours, its doo-wop-Mesopotamian-Picasso-deco-iconic-ironic wonky eclecticism had, by the time it wound down, become a cliche of advertising agency ....

United States , United Kingdom , Grand Casablanca , Beatrice Bonzanigo , David Bowie , Ettore Sottsass , Martine Bedin , Isabella Invernizzi , George Sowden , Masanori Umeda Tawaraya , Los Angeles , Jasper Morrison , Barbara Radice , Marco Zanini , Shiro Kuramata , Peter Shire , Nathalie Du Pasquier , Masanori Umeda , Michele De Lucchi , Tinto Brass , ஒன்றுபட்டது மாநிலங்களில் , ஒன்றுபட்டது கிஂக்டம் , மாபெரும் கேசப்ளாஞ்ச , டேவிட் போவி , ஜார்ஜ் சோவ்தேன் , லாஸ் ஏஞ்சல்ஸ் ,

Colorful floral paintings have a darker undertone that subtly alludes to America's opioid epidemic

Dec. 15, 2020
This week’s picks include an artist who creates playful and graphic airbrushed paintings with darker undertones; women who are depicted pumping breast milk while listing their fears; and an artist whose manipulated clay forms match her own body weight.
Ben Sanders at Ochi Projects
Ben Sanders, “Opium Poppies with Razor Blades,” 2020. Image courtesy of the artist and Ochi Projects.
At Ochi Projects in Mid-City, Ben Sanders’ colorful paintings make a vibrant statement. Flowers splash across the graphic and airbrushed works, petals and stems coiling into complex configurations. Sanders’ graphic style recalls Memphis design (think Peter Shire) or perhaps a beachy tropical shirt from the 1980s he’s not afraid to playfully arrange colors and patterns to create ecstatic compositions, all while maintaining razor-sharp edges and seamless gradients. While delighting in these details, the symbology of the work begins to softly emerge: razor blades ....

United States , Patty Chang , Ben Sander , Ben Sanders , Peter Shire , Street Arts Center On Vimeo , Street Arts Center , Razor Blades , Ochi Projects , Street Arts , Night Gallery , Brie Ruais , Shaping Forces , Closed Like , Marten Elder , ஒன்றுபட்டது மாநிலங்களில் , பாட்டி சாங் , பென் சாண்டர் , பென் சாண்டர்ஸ் , பீட்டர் ஶைர் , தெரு கலைகள் மையம் , ரேஸர் கத்திகள் , ஓச்சி ப்ராஜெக்ட்ஸ் , தெரு கலைகள் , இரவு கேலரி , வடிவமைத்தல் படைகள் ,

The 1980s Revisited: MEMPHIS GROUP At MK Gallery

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The first significant survey of the influential 80s design movement Memphis takes place at MK Gallery in Milton Keynes this December-April. The exhibition, Memphis: Plastic Field explores the provocative and irreverent spirit of the Memphis Group, bringing together over 150 of the collective’s most significant works whose bold and playful aesthetic pushed boundaries and sparked a new era in international design.
Colourful, kitsch and geometric, drawing on Pop Art, Bauhaus and Art Deco
Founded by Italian designer and architect Ettore Sottsass, Memphis brought together an international collective of young designers united in their desire to inject humour into the design world and shatter the codes of the 20th century. When the group debuted its first collection at Milan’s Salone del Mobile in 1981, it caused a sensation, breaking the rules of streamlined modernism and challenging notions of functionality and good taste. ....

United States , North Yorkshire , United Kingdom , Monte Carlo , David Bowie , Ettore Sottsass , Martine Bedin , George Sowden , Michael Graves , Karl Lagerfeld , Aldo Cibic , Peter Shire , Marco Zanini , Shiro Kuramata , Javier Mariscal , Memphis Group , Milton Keynes , Plastic Field , Pop Art , Salone Del Mobile , Art Deco , Michele De Lucchi , Nathalie Du Pasquier , Miami Vice , ஒன்றுபட்டது மாநிலங்களில் , வடக்கு யார்க்ஷயர் ,