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Documenta 15 curators announce more participants

ArtReview
Wajukuu Art Project. Photo: Shabu Mwangi
The Indonesian collective ruangrupa, who are curating the 2022 edition of Documenta, have announced additional international collaborators. The group are organising their show around the idea of
Pooling their harvest is Britto Arts Trust, an organisation based in Dhaka and which explores Bangladesh’s missing histories, cultures and communities; also FAFSWAG, a Moana Oceanic arts collective ‘committed to social change’, especially within the context of queer indigenous identity; and the Instituto de Artivismo Hannah Arendt (INSTAR), which emerged from a public action called by the artist and activist Tania Bruguera in which people read and discussed Hannah Arendt’s book ....

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Musings with artist Ayesha Sultana

Musings with artist Ayesha Sultana
Ayesha Sultana
Ayesha Sultana, an artist based in Dhaka, is recognised across the globe. She sets herself apart through her practice that is uncommon in the South Asian context. Her work has been showcased in Kiran Nadar Museum of Art in New Delhi, alongside the works of celebrated Indo-American artist and printmaker Zarina Hashmi, as well as artists Lala Rukh, Prabhavathi Meppayil, and Sumakshi Singh last year. In conversation with The Daily Star, Ayesha sheds light on her artistic journey.
She is hugely inspired by Indian artist Nasreen Mohamedi and Pakistani artist Rashid Rana. Her work is experimental and abstract to a great extent, involving different materials and processes. ....

United States , New Delhi , West Bengal , Prabhavathi Meppayil , Fariha Zeba , Zarina Hashmi , Lala Rukh , Rashid Rana , Ayesha Sultana , Salima Hashmi , Huma Mulji , Randhir Singh , Nasreen Mohamedi , Sumakshi Singh , Britto Arts , Delfina Foundation , Bangladesh Air , Kiran Nadar Museum Of Art , Beaconhouse National University , South Asian , Kiran Nadar Museum , Samdani Art Award , Britto Arts Trust , Dhaka Art Summit , Breath Count , Experimenter Gallery ,

Funding the Arts in the time of pandemic

Last December, culture360 has launched a new series of articles on
how the arts are adapting to the New Normal . One year into the global pandemic, this series will present
experiences and stories of resilience, adaptation, and success from the arts sector to the Covid-19 pandemic, with particular focus on differently disabled artists and arts organisations, artists residencies and arts funding.
This article by Veerangana Solanki looks at various art funding models that emerged in three South Asian ASEM countries – Bangladesh, India, Pakistan – to support artists and art practices during the Covid-19 pandemic.
The year 2020 has probably been the strangest year that the world’s current generation has lived through collectively. Care has manifested itself in various forms, with health workers at the forefront and support systems looking at the immediacy of requirements in their own regions. Almost every individual and sector, including the arts has deal ....

Himachal Pradesh , Zahra Khan , Tasweer Ghar , Purvai Rai , Veerangana Solanki , Ayesha Singh , Kala Chaupal , Foundation For Indian Contemporary Art , Britto Arts , Experimenter Generator Art Production Fund , Gidree Bawlee Foundation Of Arts , Pathshala South Asian Media Institute , South Asian , South Asia , Samdani Art Foundationarranged , Part Around , Indian Contemporary Art , Stitching Screens , Britto Arts Trust , Britto Arts Trustworked , Zero Waste Food Project , Brihatta Art Foundationfunded , Home Art Project , Durjoy Bangladesh Foundationset , Gidree Bawlee Foundation , Chain Indiaset ,