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Review: Haifaa Al Mansour Returns to Saudi Arabia for the Satisfying The Perfect Candidate

Film | May 15, 2021 | “Girl power” is too simplistic of a term to fully capture the energy filmmaker Haifaa Al Mansour builds into her films. Still, on a surface level, the phrase applies. In 2012’s Wadjda, the first feature-length Saudi film made by a female director, Al Mansour captured a girl’s desire for freedom in the face of traditionally conservative thinking. (A solid trio of viewing would be Wadjda, the Dardenne brothers’ Cuties.) After her subsequent films, 2017’s Nappily Ever After, took her outside of the country narratively, Al Mansour returns to Saudi Arabia with The Perfect Candidate. A slice-of-life portrait of a young female doctor who decides to run for political office,

The Perfect Candidate movie review (2021)

The Perfect Candidate Movie Review - Rolling Stone

Rolling Stone ‘The Perfect Candidate’ Reminds You That All Politics Are Local Even in Saudi Arabia Saudi Arabian filmmaker Haifaa Al-Mansour turns the story of a female doctor who runs for office into a sly, buoyant social drama By Music Box Films It must have been exactly what conservative Saudis feared would happen: Let a woman like Haifaa Al-Mansour direct a movie (and the first movie ever shot in Saudi Arabia at that), and a few years later she’ll be back directing another. Only this time, there’ll be actual cinemas in the Kingdom that can show it. Let a 10-year-old girl like Wadjda, the eponymous heroine of Al-Mansour’s delightful 2012 debut, covet a bicycle, and next thing you know, women will be driving. In

Review: A Saudi woman seeks to drive change in charming The Perfect Candidate

Review: A Saudi woman seeks to drive change in charming The Perfect Candidate Robert Abele © (Music Box Films) Mila Alzahrani and Hamad Almuzainy in the movie The Perfect Candidate. (Music Box Films) The Times is committed to reviewing theatrical film releases during the COVID-19 pandemic. Because moviegoing carries risks during this time, we remind readers to follow health and safety guidelines as outlined by the Centers for Disease Control and Prevention and local health officials. When Saudi Arabian filmmaker Haifaa al-Mansour broke gender and culture barriers with her 2012 debut “Wadjda,” its 10-year-old girl protagonist’s bike-owning dream was a simple yet powerful metaphor for what females were denied in the kingdom.

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