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The Paris Review - All You Have to Do Is Die

The Paris Review - All You Have to Do Is Die
theparisreview.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from theparisreview.org Daily Mail and Mail on Sunday newspapers.

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Independent Publishing: CLMP Honors 2021 'Firecracker Award' Winners

Independent Publishing: CLMP Honors 2021 'Firecracker Award' Winners
publishingperspectives.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from publishingperspectives.com Daily Mail and Mail on Sunday newspapers.

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Lost in the beautiful art of literary translation: Fifty Sounds by Polly Barton shows how a new language can provide a new perspective – Laura Waddell


In her recent book Fifty Sounds, published by Fitzcarraldo Editions, Polly Barton recounts her experience as a learner of Japanese, teaching English as a foreign language at a small island school, and later becoming a literary translator. This is no “what I did on my summer holidays” book – although there are plenty of humorous mishaps along the way. Barton has clearly dedicated her life to working language like it is clay.
Fifty Sounds demonstrates Barton’s belief that to understand another language – to really, truly, get it – she had to immerse herself within it, building up a library of sensual associations to draw on. Every adventure she has – culinary, sexual, or emotional – adds to the depth of her vocabulary. ....

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Briefly Noted


Albert and the Whale
, by Philip Hoare (Pegasus). This idiosyncratic account of the life, work, and afterlife of the Renaissance artist Albrecht Dürer considers “how art imagines our world.” Hoare shows Dürer’s responsiveness to his times. Copernicus and Martin Luther had ushered in a world “shifting nervously in space,” and printing (the “currency” of Dürer’s fame) and trade fostered unprecedented connectivity. Hoare also places his subject in a surprising lineage of artists including William Blake, Marianne Moore, Thomas Mann, and Andy Warhol. These comparisons elucidate Dürer’s radicalism, and establish him as a revolutionary and thoroughly modern artist. Hoare writes, “Before Dürer, dragons existed; after him, they did not.” ....

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