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Libya: The Zionist Dragon and the Drums of War (2011) – Veterans Today | Military Foreign Affairs Policy Journal for Clandestine Services

Libya: The Zionist Dragon and the Drums of War (2011) – Veterans Today | Military Foreign Affairs Policy Journal for Clandestine Services
veteranstoday.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from veteranstoday.com Daily Mail and Mail on Sunday newspapers.

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Can't Get You Out Of My Head – why a post-Covid Pakeha-Māori Nationalist Revolution in NZ is a solution

The Power Of Nightmares, is still one of the most important insights into the politics of fear.
InÂ
Can’t Get You Out Of My Head, Curtis charts the main political, cultural, philosophical and psychological trends that have shaped the West over the last 75 years.
I can not sing highly enough of its praises and urge anyone who wants to understand the fragility of Western Democracy to watch it immediately.
One of the fascinating insights played over and over throughout the 6 hours is the danger of white revenge fear.
Time and time again Curtis presents us with examples of deplorable behaviour by white culture on everyone not white and then highlights the cultural backlash that occurs within white culture as they come to terms with the abuse they have caused, only to then react in fear at what those they’ve hurt might do in revenge. ....

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DiS meets Colin Greenwood from Radiohead / In Depth // Drowned In Sound

January 21st, 2014
Tuesday 28th January through to Sunday 2nd February is Independent Venue Week. Set up to celebrate and commemorate the importance of independent venues and promoters in the development of artists at the earliest stages of their career, Independent Venues Week brings together 18 participating venues hosting their own night over the course of six days. Founded by Sybil Bell in conjunction with PRS For Music and BBC Introducing, Independent Venue Week s ambassador for 2014 will be Radiohead musician Colin Greenwood.
Having started out in the mid 1980s performing in many of the UK s smaller venues (prior to Radiohead s later worldwide success), Greenwood is only too aware of the necessity for independent venues in the development of up and coming bands. His passion and enthusiasm shines through when reminiscing about the band s early days while eagerly asking for recommendations of new artists he ought to check out (DiS gladly offers him April Towers and Hoo ....

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