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Stuck in a loop: curator Helen Molesworth organises group exhibition Feedback at The School in Kinderhook


EJ Hill, Lesson #2 (2019), birch wood, acrylic, latex, mirrored acrylic, neon
“Different group shows have different origin points, this one has a double origin point,” says the curator Helen Molesworth, who has organised the show
Feedback (5 June-30 October 2021), at the New York dealer Jack Shainman’s upstate outpost The School, in Kinderhook. The exhibition takes its name from a 2004 work by Janet Cardiff and George Bures Miller, which is included in the exhibition along with works by 22 other artists that play on the reverberations of personal memory and American mythology.
“I had the Cardiff/Miller piece
Feedback knocking around in the back of my head for years. It was like a pebble in my shoe,” Molesworth says. “When Jack asked if I wanted to do a show at The School I said sure, but I wanted to go see it first.” As its name implies, the satellite space is an early 20th-century high school, built on a five-acre lot in 1929, which the ....

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What I Buy and Why: Real Estate Developer Bob Rennie on Collecting Performance and Installing Extremely Clever Bathroom Art


The real estate tycoon tells us all about his personal treasure trove.
May 10, 2021
Bob Rennie stands on the rooftop of his Vancouver office building in the Chinatown district August 7, 2012. ©2012 Jeff Vinnick Images.
Vancouver-based art collector and real estate mogul Bob Rennie, who showcases his extensive contemporary art collection at the eponymous Rennie Museum, has a collection most art lovers would kill for (okay, maybe not 
kill, but… maim?).
Rennie, whose real-estate business earned him the nickname “Condo king,” serves on the boards of the Tate Americas Foundation and the Art Institute of Chicago. Below, he dishes on his most prized possessions, what it was like to negotiate with artist Charline von Heyl, and the most impractical works in his collection. ....

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New Dread Scott works critiquing power structures censored by Instagram as 'hate speech'


Dread Scott s White People Can t Be Trusted with Power (2021)
Photo: Marc J. Franklin
Two text-based works by the artist Dread Scott, installed this week on the West 42nd Street façade of the Playwrights Horizon theatre, have already run up against the racist power structures they were made to critique. One is a 2007 piece titled
Imagine a World Without America, in which the titular phrase is rendered over a map devoid of North America. The second is a new piece, with a simple white font on a black background, that reads:
White people can’t be trusted with power. When Scott posted an image of the latter on social media, it was removed. “Instagram dubbed it ‘hate speech’,” the artist says. “Then I made a second post saying that they censored it, and they deleted that too. The justification of censorship for both was ‘hate speech’.” ....

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