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Developed by Voice Cast Premieres Format Half-hour anime; three episodes watched for review Pacific Rim: The Black is a far cry from its source, ratings-wise. The overwrought fun of the first film was a PG-13 wrecking wonderland; The Black is a violent, dark, hard R. Within the first five minutes of the pilot, Jaeger pilots are directly killed by a kaiju monster; after 10, an entire city population has been wiped out. And it gets only more dour from there. Pacific Rim: The Black is a much more depressing, bleaker take on the franchise, and arguably is better for it. Here, Australia is the setting for these oversized battles, but unlike the films, the battle between humanity and monsters is effectively over. A last-ditch effort involves the parents of Taylor (Calum Worthy) and Hayley Travis (Gideon Adlon) co-piloting a Jaeger to fight off the last batch of beasties as they also guide a bus filled with passengers (adults and children) to safety. The Pa ....
Graphic: Karl Gustafson Rudolph Fisher never got to experience the life of a literary luminary firsthand. A distinguished doctor by day and a creative voice of the Harlem Renaissance by night, the prolific short story writer, musician, and dramatist published just two novels before his untimely death from intestinal cancer in 1934 at the age of 37. The Conjure-Man Dies (1932), an enthralling whodunnit and Fisher’s final full-length work, could have easily functioned as the young wordsmith’s breakout effort, setting him on a path similar to those of genre giants like Agatha Christie or Chester Himes. Instead, the legacy that underscores HarperCollins’ reprint of the novel last month as the first-known detective novel penned by an African American author is a largely posthumous one. The witty thriller, entombed in humor and the spirit of Prohibition-era Harlem, has become a testament to the author’s underexplored potential. ....