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Share As the month of June arrives in Bangkok it brings with it the hope that things are (fingers crossed) slowly returning to normal. This is especially good news for gallery goers who haven’t had much to lift their spirits during the recent lockdown period. Hero image: Image from Eugenio Recuenco’s 365° photography installation The month of May, in 2021, will be remembered, in part, for its strict lockdown regulations, all part of Thailand’s ongoing attempt to deal with the Covid-19 global pandemic fallout. Many businesses in Bangkok were affected by the enforced closures, although some galleries in the city remained open, with by-appointment-only visits that followed strict masking and social distancing protocols. Thankfully, as things appear to be a bit more under control, more galleries will be opening their doors to visitors, and the line-up for June (and beyond) promises some very worthwhile shows; including a major international photography exhibit ....
Left to right: Rirkrit Tiravanija, untitled 2016 (nothing) (2016); Tobias Rehberger, Mother without child 3 (2019): Kristoffer Ardeña, Ghost Painting (Cracked Category): National Bookstore (2020). Exhibition view: hyper–horizon, S.E.A. Focus 2021, Tanjong Pagar Distripark, Singapore (22–31 January 2021). Courtesy S.E.A Focus. Photo: Toni Cuhadi. With the aim to spark new connections between works of art from Southeast Asia , the presentation is accessible online with S.E.A. Focus Digital and physically at the S.E.A. Focus Curated showcase, titled hyper–horizon, presented at the warehouse complex Tanjong Pagar Distripark. This year s edition eschews a traditional booth structure for a fluid design by Randy Chan of Zarch Collaboratives to offer a borderless experience , reflecting Singapore s position as a crucial hub for the region s art scene. ....
Share Thai artist Pinaree Sanpitak, well-known for her voluptuous artworks that blur the line between the sacred and the sensual, chats with Prestige about her two most recent Bangkok exhibits, as well as her upcoming monograph chronicling her 35-year career. During the month of November 2020, renowned Thai artist Pinaree Sanpitak had not just one, but two major solo art exhibitions at two of Bangkok’s most esteemed galleries. And although the shows ran concurrently, and both galleries are within a veritable stone’s throw of each other, the exhibits themselves were wildly different in terms of scope, content, and presentation. However, at their core the two shows shared a common bond in their mutual exploration of the breast/stupa theme, which has been Pinaree’s artistic trademark for almost two decades now. Sanskrit for “heap”, the stupa is an important form in Buddhist architecture, most often a place of burial or a receptacle for religious objects. ....