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Album reviews: Shame return with Drunk Tank Pink, and Zayn Malik releases his third solo record Shame sound like they ve been wrestling with excess, while the former One Direction singer unfurls a gothic melodrama Shame, and Zayn. Ed Power Shame: Drunk Tank Pink. Shame’s first album was a frantic assault that saw the group heralded one of the saviours of British indie music. But the success of that record exacted a heavy toll. Their pummelling and fraught second LP is the sound of a band reckoning with excess, burnout and a loss of identity. It’s hugely affecting, singer Charlie Steen’s hoarse croon counterpointed with slamming guitars and a bottomless jitteriness. Obvious comparisons include The Fall, whose tightly-wound riffs Shame approximate, and Sleaford Mods, with whom they share a lurching, anything-could-happen sensibility. Steen is clearly singing – sometimes screaming – from the depths of his soul on tunes such as Nigel Hi ....
âThis is gonna be another great year,â Shameâs Charlie Steen thought to himself at the end of January 2020, as he left the legendary La Frette Studios on the outskirts of Paris, the bandâs second album âDrunk Tank Pinkâ done and dusted. Three weeks earlier, the south London five-piece had been in Chicago playing a New Yearâs Eve show with the cityâs indie rockers Twin Peaks, when they got the call that famed Arctic Monkeys producer James Ford, who defined a specific era of British guitar music in the early 2000s, had a last-minute cancellation at La Frette and wanted the band there in four days. Hurriedly, they rehearsed the new album by playing it in full at the boozy New Yearâs Eve show, and then took their weary heads on the plane to France. ....
Last modified on Fri 15 Jan 2021 03.11 EST The annals of rock history are packed with songs bemoaning the lot of the artist on tour. You can understand the urge to write them â they proliferate on second albums, when artists who have done almost nothing except tour since their debut search for inspiration â but, nevertheless, attempting to elicit sympathy for a rock band among people who do a proper job for a living always seems dementedly optimistic. Under the circumstances, you have to take your hat off to London quintet Shame: whatever you make of their second album, theyâve successfully come up with an entirely new variant on a well-worn theme. Drunk Tank Pink â which takes its name from the colour that psychologists discovered automatically weakens anyone who stares at it for two minutes, and which went on to become the decor of choice in cells for intoxicated arrestees and the title of a bestselling book about how subconscious forces affect our be ....
It’s typical. You wait a lifetime for a year off – and then two come along at once. Or at least they did for Shame. The South London five-piece had flogged themselves half to death touring what felt like the whole world several times over in support of their debut album Songs of Praise. Interviews at the time – we’re thinking the last ever print edition of a formerly famous new music inky in particular – captured the band’s state of near collapse, frazzled beyond all existence. Come the start of 2019, they parted ways - not as a band but as individuals, to replenish themselves in body and soul alike. Charlie Steen, their bleach haired singer and guitarist Sean Coyle-Smith visited Cuba, an experience that Steen describes as “the best holiday I’ve ever been on, and I think Sean might say the same.” The band’s bassist Josh Finerty headed east to Berlin and the other two members – drummer Charlie Forbes and guitarist Eddie Green – chilled in London. ....