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Long Play on The Nightside with Andy O
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Long Play on The Night Side with Andy O
kuvo.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from kuvo.org Daily Mail and Mail on Sunday newspapers.
Long Play on the Nightside
kuvo.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from kuvo.org Daily Mail and Mail on Sunday newspapers.
Long Play on The Nightside Share
Listen to Long Plays during the 11 o’clock hour of The Nightside with Andy O’…these special extensive compositions needed a deeper listen.
“Stand” (17:30) from Lonnie Smith’s seminal 1971 CTI release “Mama Wailer.” It was written by Sylvester Stewart aka Sly of the Family Stone is where soul and boogaloo meet hard bop in the pocket. With outstanding musicians like Grover Washington Jr. on flute & tenor saxophone Jimmy Ponder on guitar, Ron Carter on electric bass, Billy Cobham on drums, Airto on percussion and of course Lonnie Smith on Organ.
“Return to Forever” (17:16) Chick Corea/Steve Gadd Band from their double album “Chinese Butterfly” released in 2017. This update of one of Chick’s classics features Earth Wind & Fire’s Phillip Bailey with an outstanding vocal performance. The band features Chick Corea – keyboards, piano; Steve Gadd – drums, Lionel Loueke – guitar, vocals; Carlitos del Puerto –
Long Play on The Nightside Share
Listen to Long Plays during the 11 o’clock hour of The Nightside with Andy O’…these special extensive compositions needed a deeper listen
This Sunday, Long Play on The Nightside features Miles Davis in concert just months before his unfortunate passing in 1991. As well as David Murray’s artful visitation of The Grateful Dead’s Dark Star and The Mahavishnu Orchestra album Apocalypse lauded by John McLaughlin as a favorite. Overlooked but not overheard.
Hymn to Him (19:17) is from the album “Apocalypse.”
The Mahavishnu Orchestra’s fourth album, released in 1974. It was performed by the second line-up of the Mahavishnu Orchestra and the London Symphony Orchestra. It was produced by George Martin, who regarded it as “one of the best records I have ever made” McLaughlin felt it was “The real Mahavishnu Orchestra at its best”