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SUMMARY Organized in 1889, the Association for the Preservation of Virginia Antiquities (APVA), currently known as APVA/Preservation Virginia, was the nation’s first statewide historic preservation organization. Spearheaded by an elite mix of female antiquarians and their “gentlemen advisers,” it became a sanctioned instrument of conservatives who strove to counter social and political changes after the American Civil War (1861–1865) by emphasizing southern history and tradition. The APVA enshrined old buildings, graveyards, and historical sites many of which were forlorn, if not forgotten and exhibited them as symbols of Virginia’s identity. As the national preservation movement evolved, the APVA became less overtly political and now identifies itself as a professional organization dedicated to preserving and promoting the Commonwealth’s heritage. ....
Bridget R. Cooks. (Photo by Evelina Pentchev.) This article is part of a series of conversations with scholars engaged with Black art for Black History Month. See also Folasade Ologundudu’s interviews with Richard J. Powell, Darby English, and Sarah Lewis.
In her much-discussed 2011 book, Exhibiting Blackness: African Americans and the American Art Museum, Cooks looked at the ways that museums have perpetuated racial inequity through the presentation and curation of African American and African diaspora artists. Her account started with the very first show in America featuring African American artists, at the Art Institute of Chicago in 1927, and continued into the 21st century with the reception of figures including the Gee’s Bend quilters. ....