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Wheel of Fortune and Fantasy review – a triptych of light-touch philosophy


Last modified on Fri 5 Mar 2021 05.22 EST
Ryusuke Hamaguchi is a Japanese film-maker whose work I first encountered in 2018 with his doppelgänger romance Asako I & II and indirectly via last year’s experimental chamber-piece Domains, whose screenwriter Tomoyuki Takahashi has worked with Hamaguchi. Now he has unveiled this ingenious, playful, sparklingly acted and thoroughly entertaining portmanteau collection of three movie tales.
Their themes and ideas are emerging as keynotes for this director: fate and coincidence, identity and role-play, and the mysteries of erotic pleasure and desire. There is a rather European flavour in the mix – one of its characters is a specialist in French literature – and I found myself thinking of Emmanuel Carrère and Milan Kundera. And although there is no formal connection between the stories (other than the thematic echoes) the simple act of juxtaposition creates something pleasingly cohesive. ....

Meiko Kotone Furukawa , Kaz Ayumu Nakajima , Sasaki Shouma Kai , Moka Fusako Urabe , Segawa Kiyohiko Shubukawa , Hyunri Lee , Tomoyuki Takahashi , Nana Aoba Kawai , Emmanuel Carr , Katsuki Mori , Ryusuke Hamaguchi , Milan Kundera , Kotone Furukawa , Ayumu Nakajima , Door Wide Open , Shouma Kai , Kiyohiko Shubukawa , Once Again , Fusako Urabe , Aoba Kawai , நானா ஆயத கவை , இம்மானுவேல் கார் , மிலன் குண்டேரா , கதவு பரந்த திறந்த , ஒரு முறை மறுபடியும் , ஆயத கவை ,