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Last modified on Fri 5 Mar 2021 05.22 EST Ryusuke Hamaguchi is a Japanese film-maker whose work I first encountered in 2018 with his doppelgänger romance Asako I & II and indirectly via last yearâs experimental chamber-piece Domains, whose screenwriter Tomoyuki Takahashi has worked with Hamaguchi. Now he has unveiled this ingenious, playful, sparklingly acted and thoroughly entertaining portmanteau collection of three movie tales. Their themes and ideas are emerging as keynotes for this director: fate and coincidence, identity and role-play, and the mysteries of erotic pleasure and desire. There is a rather European flavour in the mix â one of its characters is a specialist in French literature â and I found myself thinking of Emmanuel Carrère and Milan Kundera. And although there is no formal connection between the stories (other than the thematic echoes) the simple act of juxtaposition creates something pleasingly cohesive. ....
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