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Felicity Wilcox's need to escape constraints is bizarrely satisfying


Felicity Wilcox’s need to escape constraints is bizarrely satisfying
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July 30, 2021 4.00pm
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Credit:Nat Cartney @ Rolling Media
CHAMBER MUSIC
★★★★★
Felicity Wilcox’s move into chamber music arose from a self-confessed need to escape constraints – and curiosity about what would happen next. The result is this collection of commissions for Australian chamber groups, including Ensemble Offspring, Ironwood and The Australia Ensemble, the exceptional musicians from which feature on much of the album. In the hands of the excellent Jason Noble, the bass clarinet in ....

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The Go-Go's: Keeping The Beat for 40 Years and Counting | The Saturday Evening Post

The Go-Go's: Keeping The Beat for 40 Years and Counting | The Saturday Evening Post
saturdayeveningpost.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from saturdayeveningpost.com Daily Mail and Mail on Sunday newspapers.

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'The Sparks Brothers' Raises the Question: Are We Allowed Not to Like Sparks? (Column)


The Sparks Brothers Raises the Question: Are We Allowed Not to Like Sparks? (Column)
Owen Gleiberman, provided by
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If you watch “The Sparks Brothers,” Edgar Wright’s ultimate cult rock documentary about the Greatest Band That Almost No One Has Heard Of, you may find yourself developing a distinct affection for Sparks, the cult duo in question, and liking almost everything about them except, perhaps, for one small insignificant thing.
You’ll like the fact that Sparks who released their first record in 1971 have put out 25 albums, consisting of some 345 songs, and that they did it all while remaining more or less under the radar. You’ll like the way that they started off with a glam-rock vibe, then had a computer-rock moment (their 1979 droid synthesizer album “No. 1 in Heaven,” produced by Giorgio Moroder, is like the “TRON” of pop), then went through a disco electronica phase, then an ’80s indie-rock phase, then many o ....

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