Exaudi. This lunchtime recital, entitled
Chromatic Renaissance, intersperses 16th and 17th-century works with a selection of madrigals from contemporary composer James Weeks’s
Primo Libro. The program opens with four of Orlande de Lassus’s
Sibylline Prophecies
2 pm ET: Hamburg International Music Festival presents
Insula Orchestra & Laurence Equilbey. Laurence Equilbey conducts Insula Orchestra and Accentus Choir in an all-Schumann program comprising
Vom Pagen und der Königstochter Op. 140,
Des Sängers Fluch Op. 139,
Requiem für Mignon Op. 98b, and
Nachtlied Op. 108. View here.
2:30 pm ET: Wigmore Hall presents Kaleidoscope Chamber Collective. Wigmore Hall’s 120th anniversary sees the Hall’s Associate Ensemble joined by soprano Mary Bevan for Fauré’s
Musical America
In late May, for the first time in 14 months, the Chicago Symphony Orchestra (CSO) will perform before a live audience in Orchestra Hall. “We are truly delighted to welcome audiences back to Symphony Center…. to begin safely sharing the joy of live music with the community again,” said CSO President Jeff Alexander.
Over three consecutive weekends between May 27 through June 13, the CSO will offer three distinct programs for brass and percussion, string ensembles, and orchestra, led by conductors Michael Mulcahy, Erina Yashima, and Edo de Waart. The programs will be recorded for possible future release on CSOtv.
“Fanfare,” the inaugural program, is scheduled for May 27-30 and will feature music for brass and percussion under the baton of CSO trombonist Michael Mulcahy. Repertoire includes Copland’s
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