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Pregau – Kein Weg zurück: Der Fehler - Film - TV-Krimi, 3sat, 27 07 2021, 23:50 Uhr - Sendung im TV-Programm - TV & Radio

Pregau – Kein Weg zurück: Der Fehler - Film - TV-Krimi, 3sat, 27 07 2021, 23:50 Uhr - Sendung im TV-Programm - TV & Radio
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היוזמה העסקית החדשה של חברת החשמל: בוחנת כניסה לסלולר

בסרגל העליוןהבנתי, תודה! חברת החשמל בוחנת כניסה לתחום הסלולר, זאת באחת משתי דרכים: הקמת רשת סלולרית בדור החמישי שתמכור שירותים לחברות הסלולריות, או מתן אפשרות לחברות הסלולריות לעשות שימוש בתשתיות שלה להקמת אתרים סלולריים בדור החמישי. מדובר בבדיקה בלבד, כחלק מיוזמותיה העסקית מחוץ ל×

Raw, brave, wild and honest: why Germany is Europe s greatest artistic nation

For all these artists, Wagner, in spite of his disfiguring antisemitism, was a new kind of creator from a new kind of country, and not just one that built castles for its cultural heroes. Germany became a unified nation 150 years ago this week, on 18 January 1871. It’s an anniversary that will doubtless be seen by some as one of shame and blood: the Prussian chancellor and architect of German nationhood Bismarck secured unification through a series of wars in the 1860s, including attacks on Denmark and Austria, and it was sealed at the Palace of Versailles after the military humiliation of France. In the next seven decades, Germany would be at the centre of two world wars and perpetrate the Holocaust, only to re-emerge today as a successful democracy after the defeat of Nazism in 1945 and the fall of communist East Germany in 1989.

These 6 Paintings Shine a Light on Berlin s Past

©Sven Hansche/Shutterstock.com Earlier versions of the descriptions of these paintings first appeared in 1001 Paintings You Must See Before You Die , edited by Stephen Farthing (2018). Writers’ names appear in parentheses. The Pillars of Society (1926) A member of the Dada movement from 1917 to 1920, George Grosz satirized corrupt bourgeois society. As the moving force behind the Neue Sachlichkeit (New Objectivity) movement, his attacks began to focus on the rising Nazi party. Constantly in trouble with the authorities, he continued to express his revulsion with postwar Germany. The title The Pillars of Society refers to a play by Henrik Ibsen. It shows an old aristocrat in the foreground, his head full of the pageant of war, sporting a dueling scar on his cheek. In his hands he holds a beer glass and a foil. His monocle is opaque he cannot see. On the left is a nationalist with a chamber pot on his head clutching his newspapers. To the right a Social Democrat, his head full

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