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THE ART MUSEUM is represented by many metaphors: the palace, the temple, and the mausoleum; the theme park and the shopping mall; the cabinet of curiosities and the chamber of dreams. Its purposes, largely those of preservation and display, seem precise enough to need no explanation, but the questions provoked by the museum are legion. What values guide the amassing of the museum’s contents, the artworks or artifacts that are assembled, cared for, and shown, and whom do those values represent? Since the museum, as an institution, belongs to history as much as the objects it contains, can its ....
Dia 2.0: Facing the Future Jessica Morgan moves the art foundation beyond the sometimes swaggering heart of its Minimalist collection. Dan Flavin, “the diagonal of May 25, 1963 (to Constantin Brancusi),” a fluorescent light work at the newly renovated Dia Chelsea.Credit.Stephen Flavin/Artists Rights Society (ARS), New York; Elizabeth Felicella April 23, 2021, 5:00 a.m. ET In 1988, the Dia Art Foundation hosted one of the most momentous readings in postwar art history the reclusive poet James Schuyler appeared before an audience for the first time in memory, occasioning a line down Mercer Street to the foundation’s SoHo headquarters. One particularly lovely turn in Schuyler’s poem “Empathy and New Year” elicited a hum of admiration from the crowd: “Not knowing a name for something proves nothing.” ....
Dia reopened in Chelsea, after a two-year renovation Photo: Elizabeth Felicella, courtesy of Dia In 1987, when the Dia Foundation established an outpost for art in what was then a low-slung spread of taxi garages and auto repair shops, the Chelsea of today was unimaginable. At five storeys, Dia’s building was one of the tallest in the area, which felt remote from the dozens of galleries, bars, shops and high concentration of artists in SoHo. That lack of distraction was perfect for Dia, which carved space out of time for the long, slow absorption of its commissioned, year-long exhibitions. Yet in a scenario that has been repeated so frequently it seems to have been ordained by an unnamed master of the universe, art made a wilderness safe for development. Dia sold its building when structural repairs proved more expensive than building anew, which it only did in Beacon, but it held onto three other properties on West 22nd Street. Unfortunately, su ....
The Towns Mirror Special: Can and able The Towns Mirror Special: Can and able Bangalore Mirror Bureau / Updated: Feb 18, 2021, 06:00 IST By Sudeshna Dutta disabilities Beautifully crafted pinewood tea boxes with customisable screen print coasters, aromatic candles in pretty tins, beautiful giveaways for weddings, activity-based Christmas boxes with ornaments to be painted, bottles of paints and a brush… If you look at these products, you would never guess that these were created by artisans with disabilities from Diya Innovations, and its sister organisation, Diya Foundation, which grooms people with disabilities. Many people with disabilities have been trained at the Foundation and absorbed in Diya Innovations or have been placed in other companies. ....