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Potemkin Theatre , 2019 by Maich Swift
- Credit: Antepavilion
Ever since Julius Caesar invaded Albion in AD 43 and set about rebuilding and regulating Londinium, there has existed a tension between a landowner’s right to build what they like, and the authorities attempts to regulate them.
Planning laws since this time have steadily accumulated, leading to regulations that increasingly seek to control and regulate everything from the size of a building, its architectural style and even material.
Planning regulations are commonly held then to be a bad thing, as laws that stop us doing what we want, from choosing to paint your house a zany colour to extending your home, are clearly resented by all.
The New Everbright Center convened five design teams to stage the four-room ArtPark9 hotel in Beijing. The proposals had to explore possible future lifestyles in high-rise buildings, creating harmonic atmospheres in dense urban contexts.
One of the rooms was designed by ARCHSTUDIO under the name hillside dwelling, in which the architects visualized the evolution of human habitation. The project returns to human origins by creating an atmosphere that stimulates the interaction between people and natural spaces. A hill-shaped structure was created that allowed different types of three-dimensional relationships. The hillside, covered with cork boards, managed to evoke nature thanks to its soft texture, organic shape, and earthy color. The richness of the project lies in its ability to recreate a natural environment in a creative and aesthetic way, in an interior space otherwise conditioned by modern urban life.
© Jim Stephenson
The large, low-pitched volume is simply wrapped in vertical cedar boards. This skin gives way, at a horizontal datum to a galvanised steel skirt, amplifying the natural gradient of the land and protecting the timber from rain splash. Camouflaged in these metal and timber facades are a series of industrial scale shutters, playfully folding and sliding to reveal generous areas of glazing.
© Jim Stephenson
The project’s programmatic mix of archive, storage, and studio, with the fragmented pattern of use, led me to divide it into three distinct environmental zones.
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