Klemen Kostrevc and Domen Novak in Let Him Be a Basketball Player 2 by Boris Bezić
LJUBLJANA: Several film projects were interrupted because of the Coronavirus pandemic, most of them postponed to a later date, some of them to 2021; film theatres and multiplexes were more or less closed almost all year (completely closed for five months, operating with limited seating capacity for another five months). For the same reason the distribution and cinema releases were very limited, which resulted in a drop in cinema attendance of almost 80%.
The Slovenian Film Centre (SFC), which had announced a new strategy for the next four years in November 2019, found itself in a compromised position with the Slovenian Government fulfilling its financial obligations only on the very last day of 2020. Not being able to execute the majority of already confirmed payments to the Slovenian producers during the year caused a major protest and jeopardised the existence of many film projects and the Sloveni
Honeyland by Ljubo Stefanov and Tamara Kotevska
SKOPJE: It was a challenging year for the industry in North Macedonia, as everywhere. Filming became complicated, cinemas went dark, festivals were moved and canceled.
However, the year started with one of the greatest chapters in Macedonian film history. The documentary
Honeyland / Medena zemja directed by Tamara Kotevska and Ljubomir Stefanov was nominated in the Best Documentary Feature and Best International Feature Film categories at the Academy Awards. It was not only the first time when a Macedonian film got two Oscar nominations, but also the first time when a documentary was nominated at the Oscars in the two categories.