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Escape From New York at 40: John Carpenter rebelling against the system


In other words, Snake Plissken is John Carpenter, and Escape from New York was the first of three films in the 1980s in which Kurt Russell would serve as his charismatic stand-in – an iconoclast who had no home in the new Hollywood, but would take up residence on its fringes. As Plissken runs and guns his way through a Manhattan that’s been turned into maximum security prison, it’s easy to imagine it as an allegory for a film production, where Carpenter weaves his way through an impossible job with the help of fellow ne’er-do-wells that he’ll have to leave behind at the end. If he survives, it’s onto the next gauntlet. ....

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Foo Fighters lack emotional heft on disco-influenced Medicine At Midnight


BLACK COUNTRY, NEW ROAD FOR THE FIRST TIME
There has been a hell of a lot of hype around Black Country, New Road. And what’s more, the Cambridgeshire sextet are self-aware enough to acknowledge it.
“Just to think I could’ve left the fair with my dignity intact/And fled from the stage with the world’s second-best Slint tribute act,” singer Isaac Wood jokes on recent single Science Fair, making wry reference to the band’s frequent (and, to be fair, pretty on-the-nose) comparisons to the ’90s alt favourites. It’s one of many knowing lyrical nods to the attention that’s surrounded the group in the past year or so, and the accompanying rush to pigeon-hole them with what’s gone before. ....

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Action fans everyone got their fix with Netflix's Extraction


The highest-grossing movie of 2020 was an action movie. This was simply by default; movie theaters were only really a thing for the first two and a half months of the year.
Bad Boys For Life wouldn’t have even been one of the 10 biggest hits of 2019. But it was a genuine hit. The third
Bad Boys movie came out in a sleepy mid-January weekend with only Oscar contenders as its competition, and it managed to pull in more than $200 million domestic impressive for a new entry in an action franchise that had been quiet for 17 years. It’s a pretty fun ride, too, with Jacob Scipio turning in a magnetic superhuman-villain performance and directors Adil El Arbi and Bilall Fallah proving that they’re better at Michael Bay-style shootouts than Bay himself is these days. ....

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