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Review: The Sea Ahead


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The sound of waves can be heard as the camera turns to Beirut from the sea. The plane view immediately shows us a unique perspective of Lebanon, a distanced look that offers the capital city as grey and lifeless. Throughout the film, the camera pans across the city, delivering a perspective of Beirut s skyline that is more familiar to those used to seeing the skyscrapers of New York City. This unusual perspective of a place customarily seen on screen as vibrant and chaotic sets up one of the main themes of
The Sea Ahead, which is that Beirut is a city of ghosts, devastated by years of mismanagement. After filming, the city was hit by a large explosion (only the nuclear bombs in Japan during World War 2 have had a bigger impact) in a warehouse on the port, which tore down buildings and smashed windows around the city. Knowledge of this disaster makes the way the beguiling Jana ( ....

New York , United States , France General , Michelangelo Antonioni , Jana Manal Issa , Ely Dagher , Wissam Rabih El Zaher , Adam Roger Azar , Party Film Sales , Short Palme , Short Film Palme , Director Fortnight , Cannes Film , Sea Ahead , World War , Manal Issa , Rabih El Zaher , Yara About Haidar , Roger Azar , Abbout Productions , Wrong Men , Party Film , புதியது யார்க் , ஒன்றுபட்டது மாநிலங்களில் , மைக்கேலேஞ்சலோ அன்டோனியோனி , கட்சி படம் விற்பனை ,

Review: Our Men


film profile], the second feature film by
Rachel Lang, which was presented in the closing slot of the Directors’ Fortnight, unspooling within the 74th Cannes Film Festival, is a story about war and commitment. It’s a story about love. Or rather, it’s a story about those who go to war and those who keep the love alive. A world where men go to war and women take charge of care. A world of opposition but where, ultimately, frustrations, expectations and vulnerabilities coincide.
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The film opens with bodies: young, for the most part, athletic, almost certainly, dressed in uniform and dancing. We’re in a nightclub, a kind of formal parenthesis which serves as an introduction to a haunting tale echoing the questions which engulf life on a military base like a tidal wave; universal questions where we least expect to find them. Can you love someone when you’re far away from one another, and, if so, how? Is it po ....

Louis Garrel , Nika Ina Marija Bartait , Rachel Lang , Aleksandr Kuznetsov , Camille Cottin , Maxime Louis Garrel , Director Fortnight , Cannes Film Festival , Ina Marija Bartait , French Legion , Foreign Legion , Wrong Men , ரேச்சல் லாங் , அலெக்ஸாண்டர் கஸ்நேஸொவ் , கேன்ஸ் படம் திருவிழா , பிரஞ்சு படையணி , வெளிநாட்டு படையணி , தவறு ஆண்கள் ,