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Ma Rainey's Black Bottom: Viola Davis, Chadwick Boseman Soar


Final performances carry with them a heavy burden, a final summation of an entire career that is cut off suddenly, and with how much Chadwick Boseman meant to the world, there was no denying that
Ma Rainey’s Black Bottom would be important. Thankfully, because of his own standard for excellence, Boseman’s final performance is a brilliant one.
Ma Rainey’s Black Bottom is a 1982 play by August Wilson, one of the most important modern American playwrights. It tells the story of the members of Ma Rainey’s band, Cutler (Coleman Domingo), Toledo (Glynn Turman), Slow Drag (Michael Potts), and Levee (Chadwick Boseman), gathering to record a new album of her songs in Chicago. Tension arises when the young hot-headed trumpeter, Levee, clashes with band veterans Cutler and Toledo over issues of God, ambition, and music. Late to the session, Ma (Viola Davis) throws her weight around, battling with her white manager and producer over control of her music. ....

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Ma Rainey's Black Bottom makes timid leap from stage to screen | Georgia Straight Vancouver's News & Entertainment Weekly


Viola Davis and Chadwick Boseman give seismic performances perfectly suited for the stage in this Netflix movie
by Radheyan Simonpillai on December 15th, 2020 at 1:00 PM
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Ma Rainey s Black Bottom
Starring Viola Davis and Chadwick Boseman. Directed by George C. Wolfe. Streams from Friday (December 18) on Netflix Canada. 
The scene that stays with me most from the Netflix adaptation of
Ma Rainey’s Black Bottom barely includes those much-celebrated and admittedly seismic performances from Viola Davis and Chadwick Boseman. The scene doesn’t even come from August Wilson’s play.
I’m referring to the evocative cold-open, where two young black boys run breathlessly through the woods at night, the sounds of dogs barking somewhere in the back, as if in pursuit. Are they runaway slaves? The intonations certainly suggest that. ....

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Viola Davis: 'My father was just one generation removed from slavery'


The Oscar-winner on playing Ma Rainey, working with Chadwick Boseman and race in Hollywood
The last time I met Viola Davis she was on the cusp of an apparently inevitable Oscar triumph. She frowned just a little when I noted that the bookies had her at an unbackable 1/66 to win best supporting actress for Denzel Washington’s Fences.
I didn’t jinx it. A few weeks later, the Dolby Theatre erupted as Davis passed the winning post many lengths ahead of the following pack. That was a landmark evening for African-American cinema. Moonlight won best film. Mahershala Ali took best supporting actor. ....

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