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Carroll Dunham: You have to love painting to try and subvert it

Carroll Dunham
Photo: Laurie Simmons
When do artistic juxtapositions work? And when are they pointless? Four new paintings by the American artist Carroll Dunham are on display at Galerie Max Hetzler in Dover Street alongside four works by the German painter Albert Oehlen in an exhibition which suggests that the two near contemporaries share similar artistic obsessions.
The Dunham canvases depict giant standing men having sex with giant women laid out in front of them; the Oehlen ones, dating from 2014 to 2017, are abstract, but the paintings of both artists share certain compositional traits, such as intersecting diagonal lines. “All I see are two x-things,” Dunham says when I show him the press release for the exhibition which places an image of one of Dunham’s canvases side by side with one of Oehlen’s. ....

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Has the Pandemic Changed the Experience of Encountering Art in Public?

Elmgreen & Dragset. The Hive, 2020. Stainless steel, aluminum, polycarbonate, LED lights, and lacquer. Commissioned by Empire State Development in partnership with Public Art Fund for Moynihan Train Hall. Image © Nicholas Knight, courtesy Empire State Development and Public Art Fund, NY
Whether 100 years or less than a month old, train stations and other transit hubs make ideal backdrops for permanent commissions that often graduate into local symbols. A more recent vision for the city’s transportation system is Public Art Fund’s latest installation at the new SOM-designed Moynihan Train Hall. With a soaring iron and glass dome prompting passengers to look up, the ceilings of the former post office seem to be prime real estate. ....

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