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Omagh | Irish America

By Daisy Carrington, Contributor
Gerard McSorley was traveling the day a bomb shook the foundations of Omagh his hometown. He was returning to Dublin, where he was living at the time, and his sister, who was in London struggling to piece together the events of the day, was frantic to reach him. On entering his house, he answered the phone to his sister’s hysterics. Images of bodies and general confusion filled her screen. The bomb detonated on Market Street in an area providing the economic needs for a population of no more than 17,300. The location was a mere 500 yards from the local courthouse and 200 yards from a bicycle shop once owned by Gerard’s father on nearby Bridge Street. ....

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The Galway Arts Festival | Irish America

By Daisy Carrington, Contributor
Ireland’s changing. Fast. Where once the country stirred up images of threadbare tweed jackets, alcoholism and an omnipotent church, Ireland has become the new Land of Opportunity. Nowhere is the change more apparent than in Galway, the heart of Ireland’s west and, once a year, host of the country’s largest arts festival.
“In the late ’80s, unemployment was at 20 percent, inflation was at 20 percent, interest rates were at 20 percent,” claims John Concannon, the Chief Executive at Ireland West Tourism, “and there were absolutely no job prospects. When people came out of school, everyone went to New York or London, because there was absolutely nothing happening.” These facts of a former Ireland are well known. Our image of Ireland has been shaped by the artists who’ve made them known. James Joyce revealed to us the strength of Catholic guilt, Frank McCourt the pervasiveness of poverty on the Emerald Isle. What is lesser kno ....

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