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It goes without saying that social media and mobile are no longer an optional, nice-to-have for travel brands. It goes without saying that social media and mobile are no longer an optional, nice-to-have for travel brands. They are an integral part of the business and essential for delivering a great customer experience. Over the past few months Pamela Whitby has been talking to the travel industry to find out where they are focusing their efforts. It goes without saying that without a clear, well researched and integrated social media and mobile strategy for travel, you may as well pack up and go home. In the run-up to EyeforTravel’s fast approaching Social Media and Mobile Strategies for Travel 2013 event, which takes place in San Francisco from March 18–19, we’ve been hearing from some our top speakers. Here we pull together some of their insights, tips and trends for social and mobile in 2013 and beyond. ....
Rolo Tomassi. All stitched together with the smoothest track flow of any Armed release yet. Feeling simultaneously familiar but totally inspired and unique, the competitive hardcore and pop duality of this LP gel together beautifully. They’re not an anti-thesis, they’re whole. It’s deconstructivist hardcore; Maximalist pop music pushed to its breaking point; a commentary on how the current culture has made music and art so easily accessible that it’s all now “pop.” That everything is commodified, no matter how genuine; an album whose perspective is “everything is everything.” The Armed love hardcore, hence why they’re lovingly tearing it down. ....
The Armed: “Heavy music is supposed to be about subversion… It’s become about finding a niche subgenre, then doing cosplay” Ad agency alias? Tony Hawk side-project? Hardcore punk illuminati?! They’ve been one of the most fascinating forces in heavy music for over a decade now, but with new album ULTRAPOP, “anonymous” Detroit co-operative The Armed are out to reshape people’s perceptions of extreme music forever… Words: Sam Law Header photo: Aaron Jones Who exactly are The Armed? It’s a question that’s bugged the hardcore scene since the anonymous, amorphous collective first emerged from the Michigan underground with 2009’s self-released debut LP, These Are Lights. Separating the artist from the art has, for better or worse, become a hot topic over the years since, but rarely has it been so integral to an outfit’s mission – or executed with such absurd, outlandish verve. ....