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Village news from our correspondents cravenherald.co.uk - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from cravenherald.co.uk Daily Mail and Mail on Sunday newspapers.
S’échappant des premiers applaudissements, une vocifération grossière vient soudain rompre le charme. On avait presque oublié cette propension tapageuse, presque folklorique, de certains festivaliers à partager ainsi leur mécontentement. Ce soir-là, sous les platanes centenaires du cloître des Célestins, le spectateur hargneux apparaît comme l’un des derniers spécimens d’un public assagi ou rendu, par les vicissitudes de la pandémie, plus enclin à manifester sa tendresse à l’endroit des artistes que ses récriminations. Imparfaite dans sa forme, La Dernière Nuit du monde l’est assurément – en particulier cette maladroite version anglaise de la chanson de Barbara, ....
Claudia Fuggetti's new series Hot Zone explores humanity's precarious future itsnicethat.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from itsnicethat.com Daily Mail and Mail on Sunday newspapers.
Modernist Women and Visual Cultures: Virginia Woolf, Vanessa Bell, Photography and Cinema on JSTOR jstor.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from jstor.org Daily Mail and Mail on Sunday newspapers.
Apollo. Preview and subscribe here. At first glance Jacob van Ruisdael’s View of Haarlem with Bleaching Grounds ( c. 1670–75) depicts a pleasant pastoral scene. Half of the painting – one of a series of popular Haerlempjes, or ‘Haarlem views’, for which Ruisdael was well known – is filled with sky, the billowing clouds emphasising the stark flatness of the Dutch landscape beneath. On the horizon lies the busy market town of Haarlem, dominated by the solid 15th-century Grote Kerk, which looms over the surrounding houses like a ship. In the foreground are a lake, trees and fields, on one of which bolts of linen have been laid out to bleach in the sun. It’s a beautiful detail. The bright white sheets cutting across the green and brown of the field give the painting an almost abstract geometry. Yet this formal beauty obscures one of the things that many contemporary viewers would have most associated with the bleaching fields: their overpowering, unavoi ....