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Nicki & Patrick Adams – lynx (Sunnyside): “The collaborative essence of jazz ensures that the music is about making connections. These connections can be between individual musicians, different playing styles or even genres, as long as they are joined together in expressions through improvisation. Brothers Nicki and Patrick Adams have a natural bond that most musicians can never approximate with their peers. Their common upbringing and interests have also given them the idea to blend the aural tradition of jazz with the more written one of classical, with a unique approach that makes their efforts seem buoyant and natural on their new recording, Lynx. Originally from Prescott, Arizona, the Adams brothers both began playing piano early on at the behest of their parents. In middle school, the two entered the band program, and Patrick took up the trumpet. During high school, they discovered jazz under the guidance of master ceramicist/educator Heath Kreiger. Under Heath’s ....
Joe Chambers – Samba de Maracatu (Blue Note): “On Samba de Maracatu, Chambers asserts himself more as a mallet player, particularly on the vibraphone. Throughout the album, he uses the vibraphone as the lead melodic and improvisational voice that often converses with Merritt’s piano accompaniments and solos. While Samba de Maracatu isn’t a Brazilian jazz album in this strictest sense, Chambers utilizes various rhythms and indigenous Brazilian percussion instruments on several pieces, including the title track, which references the syncretic Afro-Brazil rhythms that were originated in the north-east region of Brazil.” (http://www.bluenote.com/joe-chambers-samba-de-maracatu-out-feb-26/) Chambers offers three original songs and spreads out creating waves of music from comrades including Bobby Hutcherson’s ”Visions”, Horace Silver’s “Ecaroh” and Wayne Shorter’s “Rio” and also reaches out for a few deep standards including “You And The Night And The ....