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Vaccine appointments get canceled at site due to rodeo in DeSoto County Published: March 11, 2021 10:33 PM EST Updated: March 11, 2021 11:28 PM EST Recommended Imagine driving an hour for your second dose of the vaccine and then being turned away. That became the reality for some people at the vaccine site at Turner Agri-Civic Center in DeSoto County Thursday. It was not the Weil’s first rodeo trying to get a vaccine. They drove 60 miles Thursday morning from Lee County to the vaccine site in DeSoto County expecting to see a line full of cars like they did for their first shot and expecting to get their second shot. ....
Gerry Weil, El Maestro. The 81-year-old Venezuelan (via Austria) has taught his country’s future musicians for over 40 years now. “I started teaching with my bicycle all over Caracas. I would put up flyers in pharmacies and supermarkets promoting music lessons.” This evangelical dedication to the craft coupled with his spiritual definition of music, “A gesture of love to us by the divine and our answer with passion and thankfulness”, leads to an understandably deep affection for him held by colleagues, fans, and students alike. “The Message”, the inaugural release of the Música Infinita label, saw the first light of day back in 1971. It’s a hippy, Caribbean jazz-rock fusion, delivered in a big band style by 16 of Venezuela’s finest: 4 trumpets, 2 trombones, 4 reeds, 3 drums/percussion, electric guitar and bass, and El Gerry on piano and organ. ....
(Kabul Fire Records) The Afghan-born producer skilfully explores his heritage with an unruly collage of vocal samples blended with diasporic sounds Sounds of migration ⦠Farhot. Photograph: Carlos Fernández Laser Sounds of migration ⦠Farhot. Photograph: Carlos Fernández Laser Fri 8 Jan 2021 03.00 EST For producer Farhot, the cut-and-paste method of sampling in hip-hop serves as an apt symbol for the assembly of his immigrant identity â he sought asylum in Germany from his native Afghanistan in the 1980s and has not returned since. He first made his name with productions for the likes of Talib Kweli, Isaiah Rashad and Nneka that echoed the melodically driven US rap of the early 2000s and particularly the work of DJ Premier and Pete Rock. His first solo release, Kabul Fire Vol 1 (2013), was a scattershot mixtape homage to his childhood home, weaving in dub influences, rattling drum machine loops, Afghani folk samples and features from Kano, ....
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