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Austin 360 Austin360 On The Record is a weekly roundup of new, recent and upcoming releases by local and Austin-associated recording artists. This week, take a look back at a select batch of 50 local albums that made waves in 2020, plus a handful of notable EPs, live albums, archival releases and other oddities. For our critics’ personal favorite records of 2020, watch for next week s year-in-review music wrap-up. FIVE OLD-SCHOOL ACES Willie Nelson, “First Rose of Spring.” No Grammy nomination this year for Willie, but his latest album, released in July, further extended a decade-long string of acclaimed collaborations with producer Buddy Cannon. ....
Austin 360 Austin360 On The Record is a weekly roundup of new, recent and upcoming releases by local and Austin-associated recording artists. OUT THIS WEEK Joe King Carrasco y Colectivo Chihuahua, “Mariachi Blues” (Anaconda). The latest from the onetime nuevo-wavo MTV star is his first album since 2015’s “Chiliando,” and it’s an intriguing change of pace. There’s less Tex-Mex synthesis here, and more straight-ahead bluesy, guitar-based rock & roll. Recorded at studios in France, Mexico and Central Texas, “Mariachi Blues” features Carrasco on guitar, bass and keyboards, with engineer Luis Murillo on drums and percussion throughout. Carrasco co-produced with Murillo and Rick Del Castillo, who handled bass and keyboards on a couple of tracks. Highlights include the deep blues groover “Dallas (Seen the Last of Me)”; the rhythmic reggae accents of “John Dillinger”; the sociopolitical overtones of the pre-release single “King King”; the 1970s-La ....
Bandcamp Alongside Austin s Dicks and Big Boys, Houston s Really Red proved as integral to early-Eighties American punk culture as Black Flag or Dead Kennedys. Lasting 1978-85, the aggregation of singer/frontman Ronnie U-Ron Bondage Bond, drummer Bob Weber, guitarist Kelly Younger, and bassist John Paul Williams rarely followed regulation punk templates. Old enough to recall Texas psychedelia on ramalama like Crowd Control, their trace elements of art-damaged funk and blues seeped into – from 1981 onward – the band s ballistic thrashing à la Bad Brains on tracks such as I Was a Teenage Fuckup. Meanwhile, Bond s lyrics engage race, sexuality, police brutality, and resistance to authoritarianism. ....