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Issue #38, January/February 2021 $3.99 digital only, bi-monthly. Science fiction and fantasy magazine with original and reprint fiction, non-fiction essays, interviews, and poetry. This issue includes fiction by Sam J. Miller, Miyuki Jane Pinckard, Nicole Kornher-Stace, Paul Cornell, Christopher Caldwell, and Marissa Lingen; a reprint from Del Sandeen; essays from John Wiswell, Octavia Cade, Katherine Cross, and Aidan Moher; interviews with Miyuki Jane Pinckard and Paul Cornell; and poetry. Cover art by Nilah Magruder. E-book subscribers receive the complete ebook on the first Tuesday of the month. Online readers will receive the first half of the magazine on the first Tuesday of the month. The second half will be available the first Tuesday of the following month. Also available free on the ....
It’s always seemed to me that John Joseph Adams’s Best American Science Fiction and Fantasy series, now in its sixth volume, has served a somewhat different if equally important purpose than the more traditional year’s best volumes which have been a staple of SF publishing for more than 70 years. While those volumes have historically been SF’s way of presenting itself to itself (always with the hopes of drawing a broader readership among those who simply want to check in on SF from time to time), Adams’s annual volumes are part of the “Best American” series of focused anthologies which began with ....
and two from the November/December issue of Uncanny in a row? It’s a Jólabókaflóð miracle! “The Bottomless Martyr” tells of Rang, a young woman who keeps dying and being brought back to life by her stepmother, Death. With each resurrection she delivers a boon to those around her and a punishment to everyone else. Raiders die in a random whirlpool. A typhoon destroying her village ceases. Weapons for defense appear out of nowhere. But is her situation a gift or a curse? Or both? Uncanny (November/December 2020, Issue 37)
Kastra chafes under her father’s narrowmindedness and oppressive traditions. She longs to take up with one of the adventuring crews that pass through her father’s tavern on their way to glory and thrills. The more he refuses to let her go, the more she aches to leave. A. T. Olvera tells the story from the perspective of Kastra’s sister who learned the hard way to see their father’s mantra of “We are not like them. We were not ....