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Looking for the Next Big Thing? Here Are 6 Rising-Star Artists to Seek Out at Frieze New York 2021


Irma (2021). Courtesy of the artist and Perrotin.
Who: Kathia St. Hilaire (b. 1995) hails from Miami, Florida, and her paintings draw from her Haitian identity, mixing images of Caribbean seascapes and family gatherings with the ephemera of daily life in the diaspora. 
Based in: New York and Palm Beach, Florida
Showing at: Perrotin Gallery 
Prices: Her painting
Irma, a response to the Hurricane Irma that hit Miami in 2017, sold quickly at the VIP opening. It was priced at $10,000.
Why You Should Pay Attention: A recent graduate of Yale’s MFA program, St. Hilaire “is already making groundbreaking work and her career is just beginning,” said collector Bernard Lumpkin. The Lumpkin-Boccuzzi Family Collection of Contemporary Art acquired several of her paintings. ....

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'It's Exciting for People to Have That 'Wow' Moment': Collectors Snap Up Major Works by Dana Schutz and George Condo at Frieze New York


Dealers managed to do strong business on opening day at the pared-down Frieze New York.
May 5, 2021
A fairgoer uses her phone in the cafe during the first day of Frieze art fair. (Photo by TIMOTHY A. CLARY/AFP via Getty Images)
This is not a drill not-online, not-remote, fully inside, honest-to-god art fairs are back.
After 14 months of staring at images of paintings in digitally rendered booths, art-world VIPs lined up Wednesday morning at the Shed in Manhattan’s Hudson Yards district to enter Frieze New York.
This was by no means a foregone conclusion. Frieze, owned by the recently IPOed Endeavor, came close to scrapping its 2021 edition. (Plans for a scaled-back Los Angeles edition were indeed cancelled.) But thanks to rigorous safety protocols that prevent anyone from entering without proof of vaccine or a negative test not to mention a head-scratching requirement for shipped works to be isolated for three days the fair did indeed go off, with everyone w ....

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Antwaun Sargent on Black Queer Utopia


Join us for a conversation with writer Antwaun Sargent and artists Shikeith and Naima Green, as they discuss the ways Black queer artists are redefining the notion of utopia. As Sargent explains in his essay “The Future Will See You Now,” Black queer artists are using photography in defiance of the “straight imagination,” and in doing so, creating their own narratives of desire and relief.
In the Winter 2020 issue of
Aperture magazine, “Utopia,” artists, photographers, and writers envision a world without prisons, document visionary architecture, honor queer space and creativity, and dream of liberty through spiritual self-expression. They show us that utopia is not a far-fetched scheme, or a “no place” (the literal meaning of the word  ....

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