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La princesse Madeleine de Suède a profité de son séjour dans le royaume de son père pour effectuer une visite dans un hôpital pour enfants, en lien. ....
ELIOT, Maine Watching the HBO documentary Ernie & Joe: Crisis Cops is kind of like going on a ride-along with police, without ever having to leave home. The film, directed by Jenifer McShane, follows two officers in the San Antonio Police Department s mental health unit who are on a mission to change the way police officers respond to calls from community members experiencing a mental health crisis. Upon learning of the innovative work of the SAPD mental health unit and meeting Ernie and Joe in person, I felt compelled to make this film, McShane said in a statement. Their jail diversion work is humane and desperately needed to improve not only the health of the mentally ill, but also of their families. ....
Reply Sen. Christine Cohen (D-Guilford) will host a screening of a shortened version of McShane s HBO documentary that followed two police officers from the San Antonio, Texas Police Department s mental health unit for three years. (Renee Schiavone/Patch) GUILFORD, CT Mental health workers aren t cops. And cops aren t mental health workers. But there s a place in the middle. Police can receive mental health training, and the two groups can work together to keep people safe. It s the basis for the Emmy award-winning documentary, Ernie & Joe: Crisis Cops, produced and directed by Guilford filmmaker Jenifer McShane. Subscribe Tuesday, in support of her state Senate bill that calls for a study of how Connecticut police officers are trained in mental health and crisis intervention tactics, Sen. Christine Cohen (D-Guilford) will host a screening of a shortened version of McShane s HBO documentary that followed two police officers from the San Antonio, T ....
International Day of Zero Tolerance to female genital mutilation (FGM) took place this weekend, 13 months after the first FGM conviction in Ireland. S ....
Advertisement For me, it was time to raise my voice, speak out, and say, ‘This is our culture. It happened to every woman. We knew it was bad in Somalia, but nobody discussed it. “I think what was very unusual was that Ifrah participated in the dramatisation of her life story very much in collaboration with an actress who was honouring that story for all women, and making it an everywoman story. It was a wonder to witness.” McGuckian uses a deft, emphatic and sensitive hand throughout – especially evident during the film’s more distressing moments. It begins with triumph, an impassioned speech to the United Nations and slowly, through flashbacks, we see just how much Ifrah has had to endure and overcome to get to that moment. “It was all about getting the tone of the film right,” the director explains. “It was important to get a sense of the trauma of it, the terror of her early life, and in the telling of it, neither overdramatise nor in any way under ....