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<strong>Letter: </strong>Former Guardian compositor <strong>Mick Ochiltree</strong> rebuts a suggestion that his colleagues deliberately introduced typos because they were paid extra to fix their own mistakes ....
Sight & Sound: the June 2021 issue Mark Kermode and Prano BaileyâBond talk Censor and the 80s British censorship massacre. Read if you dare! Plus the history of âvideo nastiesâ, Kelly Reichardt on First Cow, Suzanne Lindonâs Spring Blossom, the sprawling brilliance of Robert Altmanâs Nashville, and vintage Jack Nicholson. 10 May 2021 Sight & Sound June 2021 issue Itâs the issue they didnât want you to read! Sight & Sound avoids the censorâs scissors, but canât resist the sinster draw of Prano BaileyâBondâs wicked yet darkly beautiful Censor. Mark Kermode joins BaileyâBond in discussing the 1980s tabloid frenzy surrounding so-called âvideo nastiesâ â unrated VHS horror releases that snuck past the beady-eyed BBFC â and her debut feature ....
Robert Altman interview: âIf I made a film that everybody liked it would be pretty terribleâ Robert Altman was interviewed by Geoff Andrew at the National Film Theatre on 24 January 2001 as the highlight of a two-month tribute to the director. 17 May 2017 Robert Altman filming MASH (1970) Of the major American directors who first found an audience in the 60s and early 70s, Robert Altman is undeniably one of the most idiosyncratic, influential and stubbornly independent. Aged 75 he shows no sign of selling out, let alone giving up making films: his work remains almost defiantly youthful. He was a late starter, but once he got going he certainly made up for lost time. The real breakthrough was 1970âs MASH. Then followed a remarkable string of films which typified American cinema at its best. Altmanâs abiding preoccupation lies in analysing the murky social, economic, political and ethical realities barely concealed by the mythic American D ....