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What becomes of the broken Bokke on the tour from hell?

After arriving in the land Down Under cock-a-hoop and full of the joys of a Lions series victory, the Boks are now officially on a tour from hell. I am reminded of the Jimmy Ruffin classic, What Becomes of the Broken Hearted. For all intents and purposes the Springboks should be walking the land wondering […] ....

South Africa , New Zealand , City Of , United Kingdom , New Zealanders , South Africans , South African , Lachie Swinton , Willie Le Roux , Len Ikitau , Chris Hyde Getty , Samu Kerevi , Stephen Spielberg , Handre Pollard , Dave Rennie , Le Roux , Jacques Nienaber , Warren Gatland , Matt Roberts Getty , Jimmy Ruffin , Finn Russell , Down Under , What Becomes , All Blacks , Getty Images , Duane Vermeulen ,

What becomes of the broken Bokke on the tour from hell?

What becomes of the broken Bokke on the tour from hell?
theroar.com.au - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from theroar.com.au Daily Mail and Mail on Sunday newspapers.

South Africa , New Zealand , City Of , United Kingdom , New Zealanders , South Africans , South African , Lachie Swinton , Willie Le Roux , Len Ikitau , Chris Hyde Getty , Samu Kerevi , Stephen Spielberg , Handre Pollard , Dave Rennie , Le Roux , Jacques Nienaber , Warren Gatland , Matt Roberts Getty , Jimmy Ruffin , Finn Russell , Down Under , What Becomes , All Blacks , Getty Images , Duane Vermeulen ,

Dolly Parton invested royalties from Whitney Houston's 'I Will Always Love You' in Black community


Updated August 2
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Dolly Parton invested royalties from Whitney Houston’s ‘I Will Always Love You’ in Black community
Fueling the investment was the multimillion-dollar payday she earned from Houston s cover of one of Parton s most successful songwriting credits.
By Kim BellwareThe Washington Post
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In a catalogue that runs deep with hits, “I Will Always Love You” stands as one of Dolly Parton’s most successful songwriting credits, a tune that became a global phenomenon when it was covered by Whitney Houston for the 1992 film “The Bodyguard.”
Parton, who is estimated to have earned millions of dollars in royalties for writing the song in 1973, revealed this week how she spent her money from the songwriting credit for Houston, who died in 2012: She invested in a building located in a historically Black Nashville neighborhood. ....

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