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Joseph E Yoakum: What I Saw at the Art Institute

Joseph E Yoakum: What I Saw at the Art Institute
chicagotribune.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from chicagotribune.com Daily Mail and Mail on Sunday newspapers.

Chicago Comics should be a blockbuster for the MCA

Chicago Comics should be a blockbuster for the MCA
chicagotribune.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from chicagotribune.com Daily Mail and Mail on Sunday newspapers.

Rescuing artists of vision

Charles Smith preaches with sculpture, hundreds of hip-height figures that he has been reworking, repainting and rearranging for decades, first at a s

Artforum International

FOR A BOOKLET published on the occasion of the third Hairy Who exhibition in Chicago, in 1968, Karl Wirsum drew a woman whose head has been replaced by a mandala not a groovy meditative symbol but a pulsating, agitated, electrified pattern vibrating in red, blue, yellow, and green. This must have been what the inside of Wirsum’s mind looked like: protean and always switched on. For sixty years from his graduation from the School of the Art Institute of Chicago in 1961, through his association with the Hairy Who in the mid to late ’60s, and right up to his death on May 6 Wirsum produced a legion

Karl Wirsum, life-long Chicago painter and member of the Hairy Who, has died, aged 81

Karl Wirsum The Chicago-born artist Karl Wirsum, a member of the legendary Hairy Who art group, died on 6 May, aged 81. Spending most of his career in the Windy City, Wirsum became a beloved artist and professor of painting and drawing at the School of the Art Institute in Chicago, as evidenced by the outpouring of appreciation on social media from scores of former students and fans. “Karl was an artist of major consequence,” says James Rondeau, the president and director of the Art Institute of Chicago. “His visionary, imaginative, utterly original take on figuration both epitomized a Chicago school and registered in a national and international consciousness.”

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