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Making a Tidal Wave of difference on Charity Day

Newsman engendered something close to reverence in viewers

Newsman engendered something close to reverence in viewers We’re sorry, this service is currently unavailable. Please try again later. Dismiss By John Shand Normal text size BRIAN HENDERSON, 1931-2021 Brian Henderson will be remembered for the velvet voice and easy charm with which he delivered Channel Nine’s nightly news and hosted the music show Bandstand – a charm that defined him equally off screen as on. But there was also a quiet determination in his make-up. When Bandstand’s ratings fell by half from the 1960s into the ’70s, Henderson went to the network’s joint managing director, Clyde Packer, whom he said he “truly disliked” and who “returned the dislike”, and asked for a budget increase to help restore the show’s popularity. Questioned as to what he would know about such matters, Henderson gently reminded his boss that he had been involved since

Newsman engendered something close to reverence in viewers

Newsman engendered something close to reverence in viewers

The sixties through the eyes of John Mulligan

The sixties through the eyes of John Mulligan J. A. (John Aloysius) Mulligan (1927-1996),  Bifocal glasses on a chicken at the Royal Agricultural Show, New South Wales, 6 September, 1962, nla.pic-an24539208 If you recall the 1960s you will find much of interest in the work of Australian press photographer John Mulligan (1927-1996), which has recently been digitised for the Web by the National Library of Australia. Over 1800 of Mulligan’s images are now online in the Library’s Catalogue. The sixties saw the arrival of new technology and Mulligan was there to capture the wonders of the three-minute car wash, shopping trolleys when they were a cause for marvel, the rise and rise of Laminex, fire sprinklers newly installed at the NSW Fire Brigade headquarters, the gleaming interior of the new Cahill Expressway tunnel, and the even more gleaming interior of the loo of the new TAA Lockheed Elektra Mark II (decorously subject-catalogued as ‘Aircraft cabin’). He documented th